Hymns to Nārāyaṇa: Humility, Bhakti, Yoga, and the Guṇas
एवं स्तुत्वा हरिं मित्रस्तूष्णीमास तदा खग / तदनन्तरजा तारा स्तोतुं समुपचक्रमे
evaṃ stutvā hariṃ mitrastūṣṇīmāsa tadā khaga / tadanantarajā tārā stotuṃ samupacakrame
So pries Mitra—der Vogel Khaga—Hari und schwieg dann. Danach begann Tārā, die nach ihm geboren war, mit dem Lobpreis.
Narrator (Purana narrative voice)
Primary Rasa: shanta
Secondary Rasa: adbhuta
Related Themes: Garuda Purana: stuti sequences where speakers alternate in praising Hari (structural parallel)
This verse shows the Purana’s emphasis on stuti (devotional praise) as a sacred transition in the narrative—one devotee completes praise and another begins, highlighting continuous remembrance of Viṣṇu.
Indirectly: while it does not describe afterlife mechanics here, it frames devotion to Hari as a central spiritual act that the text repeatedly places around teachings on dharma and liberation.
Maintain a regular practice of Vishnu-nāma or stotra recitation, and treat devotion as a steady discipline—when one practice ends, continue with another without breaking remembrance.