Shloka 19
Snāna-Śauca Krama: Varuṇa–Āpaḥ Mantras, Aghamarṣaṇa, Sūrya-Upasthāna, and Sarva-Tarpaṇa
द्रुपदादिव इति च शन्नो देवीरपां रसः / आपो देवो पावमान्यः पुनन्त्वाद्या ऋचो नव
drupadādiva iti ca śanno devīrapāṃ rasaḥ / āpo devo pāvamānyaḥ punantvādyā ṛco nava
„(Rezitiere) ‘drupadādiva…’ und auch ‘śanno devīḥ…’. Möge die Essenz (rasa) der göttlichen Wasser (Āpaḥ) uns läutern; möge der Wassergott, Pavamāna—der Reiniger—uns reinigen. So werden die ersten neun Ṛk-Verse verwendet.“
Lord Vishnu (in instruction to Garuda)
Concept: Mantra-śuddhi: purification arises through invoking the divine essence (rasa) of Waters and the Pavamāna purifier.
Vedantic Theme: External śuddhi supports internal sattva; purity is both physical and consciousness-oriented.
Application: Use purificatory mantras with intent (saṅkalpa) that the ‘rasa’ of purity cleanse speech, mind, and body; keep count/structure (here: first nine ṛks).
Primary Rasa: shanta
Secondary Rasa: adbhuta
Type: waterside/ablution setting
Related Themes: Garuda Purana: repeated use of ‘pāvamānī’ and water-mantras as preparatory śauca for rites; Garuda Purana: emphasis that mantra and śraddhā together yield efficacy
FAQs
This verse frames the Waters as a divine purifying power; reciting specific Vedic mantras while using water is presented as a foundational cleansing step before performing rites.
It indicates a mantra-based purification sequence—invoking Āpaḥ and Pavamāna—used to sanctify the performer and materials, which is essential before śrāddha or other post-death observances.
Begin any solemn rite (or personal spiritual practice) with a deliberate purification: clean water, mindful recitation of purificatory prayers, and an intention for inner and outer cleanliness.