Chandaḥśāstra: Mātrā–Varṇa, Guru–Laghu, Gaṇa, and Metre Types
ज्ञेयः पादश्च तुर्यांशो युक् समं विषमन्त्वयुक् / सममर्धसमं वृत्तं विषमञ्च तृतीयकम्
jñeyaḥ pādaśca turyāṃśo yuk samaṃ viṣamantvayuk / samamardhasamaṃ vṛttaṃ viṣamañca tṛtīyakam
Man soll wissen, dass ein Pāda ein Viertelteil ist. Sind die metrischen Füße richtig verbunden (yukta), heißt das Metrum „sama“ (gleich) oder „viṣama“ (ungleich). Unter den vṛtta gibt es „sama“, „ardhasama“ (halbgleich) und als drittes „viṣama“ (ungleich).
Lord Vishnu (in instruction to Garuda/Vinata-putra)
Concept: Chandas taxonomy: pāda as quarter; metres classified by symmetry—sama, ardhasama, viṣama—based on joining/arrangement of feet.
Vedantic Theme: Order (ṛta-like regularity) expressed through linguistic form; symmetry as a carrier of intelligibility.
Application: When composing/reciting, identify whether a metre is sama/ardhasama/viṣama by comparing pādas; use this to verify correctness and choose appropriate cadence.
Primary Rasa: shanta
Related Themes: Garuda Purana 1.207.3-4 (syllable weight and irregularities); Garuda Purana 1.208.1-2 (Āryā metre specifics)
This verse gives a core prosodic framework—metres are identified by how the pādas (quarters) are arranged as even, half-even, or uneven—supporting correct chanting and textual preservation.
This specific verse does not describe the soul’s journey; it belongs to a technical section on chandas (metre), ensuring accurate transmission and recitation of Purāṇic teachings.
Use the sama/ardhasama/viṣama categories to chant verses with correct rhythm and to catalogue or verify manuscripts by metre, improving accuracy in study and recitation.