Navavyūha-pūjāvidhi: Bhūta-śuddhi, Nyāsa, Yogapīṭha, Maṇḍala-racanā, Mudrā-prayoga
सव्यहस्तं तथोत्तानं कृत्वोर्धं भ्रामयेच्छनैः / नवमीयं स्मृता मुद्रा वराहाभिमता सदा
savyahastaṃ tathottānaṃ kṛtvordhaṃ bhrāmayecchanaiḥ / navamīyaṃ smṛtā mudrā varāhābhimatā sadā
Hält man die linke Hand geöffnet und die Handfläche nach oben, so soll man sie langsam nach oben hin drehen. Dies gilt als die neunte Mudrā, die dem (Herrn) Varāha stets lieb ist.
Lord Vishnu (in instruction to Garuda/Vinata-putra)
Concept: Gesture as symbolic theology: the hand’s upward movement embodies the Lord’s act of uplift (uddhāra) and protection.
Vedantic Theme: Grace (anugraha) as the uplifting power that steadies the world and the mind; saguṇa-bhakti as support for inner ascent.
Application: Perform slowly (śanaiḥ) to maintain awareness; pair with Varāha-smaraṇa (visualize Earth being raised) to deepen concentration.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Type: ritual/inner-space (hand-nyāsa)
Related Themes: Garuda Purana 1.11 (mudrā enumeration: ninth mudrā)
This verse defines a specific hand-gesture (the ninth mudrā) as part of ritual procedure, indicating that correct bodily gestures are integral to prescribed worship and observances.
It does not directly describe the soul’s journey; instead, it belongs to the conduct/ritual section, emphasizing disciplined ritual technique that supports dharma and devotional practice.
When performing traditional pūjā or mantra-japa with mudrās, follow the gesture precisely—open the left palm, keep it upturned, and rotate it upward slowly—treating ritual actions as mindful, deliberate practice.