Duryodhana’s Envy at Yudhiṣṭhira’s Rājasūya and the Avabhṛtha Festival
मृदङ्गशङ्खपणवधुन्धुर्यानकगोमुखा: । वादित्राणि विचित्राणि नेदुरावभृथोत्सवे ॥ ९ ॥
mṛdaṅga-śaṅkha-paṇava- dhundhury-ānaka-gomukhāḥ vāditrāṇi vicitrāṇi nedur āvabhṛthotsave
Während des Avabhṛtha-Festes erschallte der Klang vieler verschiedener Instrumente: Mṛdaṅgas, Muschelhörner (Śaṅkha), Panavas, Dhundhurīs, Ānaka-Trommeln und Gomukha-Hörner.
It is the concluding ceremonial bath associated with major Vedic sacrifices; here it is celebrated with auspicious music as part of the Rajasuya festivities.
Śukadeva Gosvāmī narrates the Rajasuya events to Mahārāja Parīkṣit and describes how the instruments resounded during the avabhṛtha celebration.
Sacred celebration is meant to be filled with uplifting, God-centered sound—using music and kīrtana to sanctify communal gatherings and deepen devotion.