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Shloka 22

Kṛṣṇa Slays Kuvalayāpīḍa and Enters Kaṁsa’s Wrestling Arena

पिबन्त इव चक्षुर्भ्यां लिहन्त इव जिह्वया । जिघ्रन्त इव नासाभ्यां श्लिष्यन्त इव बाहुभि: ॥ २१ ॥ ऊचु: परस्परं ते वै यथाद‍ृष्टं यथाश्रुतम् । तद्रूपगुणमाधुर्यप्रागल्भ्यस्मारिता इव ॥ २२ ॥

pibanta iva cakṣurbhyāṁ lihanta iva jihvayā jighranta iva nāsābhyāṁ śliṣyanta iva bāhubhiḥ

Die Menschen schienen Kṛṣṇa und Balarāma mit den Augen zu trinken, sie mit der Zunge zu kosten, ihren Duft mit der Nase einzuatmen und sie mit den Armen zu umschlingen. An Schönheit, Wesen, Anmut und Tapferkeit der Herren erinnert, begannen sie einander davon zu berichten, wie sie es gesehen und gehört hatten.

pibantaḥdrinking
pibantaḥ:
Karta (कर्ता)
TypeVerb
Root√pā (धातु)
FormŚatṛ present active participle (शतृ), Masculine (पुंलिङ्ग), Nominative (प्रथमा/1), Plural (बहुवचन)
ivaas if
iva:
Upamā-marker (उपमा)
TypeIndeclinable
Rootiva (अव्यय)
FormUpamā-avyaya (उपमा-अव्यय)
cakṣurbhyāmwith (their) two eyes
cakṣurbhyām:
Karaṇa (करण)
TypeNoun
Rootcakṣus (प्रातिपदिक)
FormNeuter (नपुंसकलिङ्ग), Instrumental (तृतीया/3), Dual (द्विवचन)
lihantaḥlicking
lihantaḥ:
Karta (कर्ता)
TypeVerb
Root√lih (धातु)
FormŚatṛ present active participle (शतृ), Masculine (पुंलिङ्ग), Nominative (प्रथमा/1), Plural (बहुवचन)
ivaas if
iva:
Upamā-marker (उपमा)
TypeIndeclinable
Rootiva (अव्यय)
FormUpamā-avyaya (उपमा-अव्यय)
jihvayāwith the tongue
jihvayā:
Karaṇa (करण)
TypeNoun
Rootjihvā (प्रातिपदिक)
FormFeminine (स्त्रीलिङ्ग), Instrumental (तृतीया/3), Singular (एकवचन)
jighrantaḥsmelling
jighrantaḥ:
Karta (कर्ता)
TypeVerb
Root√ghrā (धातु)
FormŚatṛ present active participle (शतृ), Masculine (पुंलिङ्ग), Nominative (प्रथमा/1), Plural (बहुवचन)
ivaas if
iva:
Upamā-marker (उपमा)
TypeIndeclinable
Rootiva (अव्यय)
FormUpamā-avyaya (उपमा-अव्यय)
nāsābhyāmwith (their) two nostrils
nāsābhyām:
Karaṇa (करण)
TypeNoun
Rootnāsā (प्रातिपदिक)
FormFeminine (स्त्रीलिङ्ग), Instrumental (तृतीyaa/3), Dual (द्विवचन)
śliṣyantaḥembracing, clinging
śliṣyantaḥ:
Karta (कर्ता)
TypeVerb
Root√śliṣ (धातु)
FormŚatṛ present active participle (शतृ), Masculine (पुंलिङ्ग), Nominative (प्रथमा/1), Plural (बहुवचन)
ivaas if
iva:
Upamā-marker (उपमा)
TypeIndeclinable
Rootiva (अव्यय)
FormUpamā-avyaya (उपमा-अव्यय)
bāhubhiḥwith (their) arms
bāhubhiḥ:
Karaṇa (करण)
TypeNoun
Rootbāhu (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Instrumental (तृतीया/3), Plural (बहुवचन)

Naturally, those who assembled in Mathurā for the wrestling festival had heard the latest news of Kṛṣṇa’s and Balarāma’s adventures in the city — how the Lords had broken the sacrificial bow, defeated the police and killed the elephant Kuvalayāpīḍa. And now that the people were seeing Kṛṣṇa and Balarāma enter the arena, their greatest expectations were confirmed. Kṛṣṇa is the embodiment of all beauty, fame and opulence, and therefore those assembled in the wrestling arena became fully satisfied by glorifying what they had heard of Him and were now seeing.

K
Kṛṣṇa

FAQs

This verse describes devotees becoming so absorbed in Kṛṣṇa that each sense acts as if it could fully take Him in—eyes “drink” His form, tongue “licks” His sweetness, nose “smells” His fragrance, and arms “embrace” Him—showing intense devotional absorption (bhakti-rasa).

In the Kaṁsa arena narrative, Kṛṣṇa’s beauty and presence overwhelm the onlookers; Śukadeva depicts their ecstatic attraction poetically, showing how Kṛṣṇa captivates the heart through darśana.

Cultivate mindful darśana and remembrance—see the Lord’s form (in deity or sacred imagery), hear His names, and engage the senses in devotion so attraction to Kṛṣṇa steadily replaces distraction.