द्विविद-वधः, यज्ञ-विध्वंस-निवारणम्, बलदेव-पराक्रम-समाहारः
उपगीयमानो विलसल्ललनामौलिमध्यगः रेमे यदुवरश्रेष्ठः कुबेर इव मन्दरे
upagīyamāno vilasallalanāmaulimadhyagaḥ reme yaduvaraśreṣṭhaḥ kubera iva mandare
গায়ক-চারণদের গানে প্রশংসিত হয়ে, যাদবশ্রেষ্ঠ তিনি দীপ্তিময় নারীদের মুকুটের মাঝে বিচরণ করে মন্দরে কুবেরের ন্যায় ক্রীড়া করিলেন।
Sage Parāśara (narrating to Maitreya)
Kubera on Mandara symbolizes effortless abundance and majesty; the comparison frames Kṛṣṇa’s Yādava sovereignty as naturally prosperous and auspicious, yet presented as divine līlā.
Through poetic imagery—praise sung by others and Kṛṣṇa amid regal splendor—Parāśara depicts an ideal, dharma-protecting sovereignty while keeping the tone of divine play rather than mere worldly indulgence.
Kṛṣṇa is portrayed as the supreme Lord who can inhabit royal magnificence without being bound by it—his enjoyment is līlā, affirming Vishnu’s transcendence alongside immanence in human history.