Rudra’s Wrath at Daksha’s Sacrifice and the Iconography of Kālarūpa through the Zodiac
एकादश तथा रुद्रास्त्रिनेत्रा वृषकेतनाः कान्दिशीका लयं जग्मुः समभ्येत्यैव शङ्करम्
ekādaśa tathā rudrāstrinetrā vṛṣaketanāḥ kāndiśīkā layaṃ jagmuḥ samabhyetyaiva śaṅkaram
তদ্রূপ একাদশ রুদ্র—ত্রিনেত্র, বৃষচিহ্নধারী—উদ্বিগ্ন হয়ে শঙ্করের নিকট এসে তাতে লয় প্রাপ্ত হলেন।
{ "primaryRasa": "adbhuta", "secondaryRasa": "shanta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
Multiplicity returns to unity: even powerful divine manifestations (Rudras) are portrayed as dependent on and reabsorbed into the supreme principle they proceed from—encouraging humility and recognition of an ultimate ground.
This is closest to Sarga/Pratisarga-style theological cosmology in miniature (emanation/mergence), presented through narrative imagery rather than explicit creation lists.
The eleven Rudras (fierce forces) ‘merging’ into Śaṅkara dramatizes laya: the re-collection of dispersed energies into the Lord. The bull-emblem and three-eye marks emphasize Śaiva identity while the episode can simultaneously support non-dual readings where all forms resolve into one reality.