Jabali Bound on the Banyan Tree and Nandayanti’s Appeal at Sri-Kantha on the Yamuna
ततो विसर्जयामास भृत्यान् भ्रातृन् सुहृत्तमान् शुक्रशिष्यानपि बली एकाकी नृप आव्रजत्
tato visarjayāmāsa bhṛtyān bhrātṛn suhṛttamān śukraśiṣyānapi balī ekākī nṛpa āvrajat
তখন বলি তার ভৃত্য, ভ্রাতা ও অতি প্রিয় সুহৃদদের—এমনকি শুক্রের শিষ্যদেরও—বিদায় দিলেন, এবং রাজা একাই ফিরে এলেন।
{ "primaryRasa": "shanta", "secondaryRasa": "bhayanaka", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
It signals a deliberate withdrawal from counsel, surveillance, and ritual protocol. Mentioning Śukra’s śiṣyas highlights that Bali is stepping outside the usual guru-mediated sphere, preparing for a personal, intimate, or morally charged interaction.
Āvrajat commonly means ‘returned/went back,’ but the destination is not named here. The next verse’s domestic reception implies a return to a residence or inner quarters rather than a pilgrimage site.
Bali is a recurring figure in Vāmana-centered traditions. Even when Vāmana is not explicitly present in a given śloka, the narrative often alternates between public court/ritual space and private household space to set up key moral and relational turns.