सर्गभेदाः — अविद्या, स्रोतोभेदाः, नव सर्गाः, देवासुरादिसृष्टिः, वेद-यज्ञप्रादुर्भावः
सामानि जगतीछन्दः स्तोमं सप्तदशं तथा वैरूपम् अतिरात्रं च पश्चिमाद् असृजन् मुखात्
sāmāni jagatīchandaḥ stomaṃ saptadaśaṃ tathā vairūpam atirātraṃ ca paścimād asṛjan mukhāt
পশ্চিম মুখৰ পৰা সাম-গান, জগতি ছন্দ, সপ্তদশ স্তোম, আৰু বৈৰূপ আৰু অতিৰাত্ৰ যজ্ঞকর্ম প্ৰকাশ পালে—এইদৰে পৰম পুৰুষৰ মুখৰ পৰাই পবিত্ৰ ধ্বনি আৰু যজ্ঞ-ক্রম উদ্ভূত হ’ল।
Sage Parāśara (teaching Maitreya)
Speaker: Parasara
Topic: Completion of Vedic chant-forms and rites within creation
Teaching: Cosmological
Quality: revealing
Creation Stage: Secondary
Concept: Sacred chant and rite originate in the Supreme Person, so worship through sound is participation in the very fabric of creation.
Vedantic Theme: Dharma
Application: Integrate kīrtana/mantra-recitation (or mindful sacred reading) as a daily discipline, treating sound as a bridge to the divine.
Vishishtadvaita: Devotional sound (stotra/chant) is grounded in the Lord’s own manifestation; the means (upāya) is divinely given, not self-invented.
Vishnu Form: Narayana
Bhakti Type: Shanta
Jagat Karana: Yes
It presents Veda as emanating from the Supreme Person—sacred speech (śabda) is not human invention but a cosmic principle that establishes dharma and ritual order.
By listing specific chants, metres, and rites (Sāman, Jagatī, stoma types, Atirātra), Parāśara shows that yajña is a revealed system—its components arise as part of creation’s lawful arrangement.
Vishnu is implied as the supreme source from whom Veda and yajña proceed, reinforcing a Vaishnava view that cosmic governance and spiritual means (ritual and revelation) depend on Him.