HomeVamana PuranaAdh. 62Shloka 49
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Vamana Purana — Vamana's Birth, Shloka 49

Vamana’s Birth during Bali’s Horse-Sacrifice and the Mapping of Vishnu’s Sacred Presences

भरद्वाजादाङ्गिरसात् सामवेदं महाध्वनिम् महदाख्यानसंयुक्तं गन्धर्वसहितं मुने

bharadvājādāṅgirasāt sāmavedaṃ mahādhvanim mahadākhyānasaṃyuktaṃ gandharvasahitaṃ mune

অঙ্গিৰস-বংশীয় ভৰদ্বাজৰ পৰা তেওঁ সামবেদ—মহাধ্বনিময়—মহাখ্যানসহ আৰু গন্ধৰ্বসমেত, হে মুনি, অধ্যয়ন কৰিলে।

Narratorial voice addressing a ‘muni’ (sage) as listener; specific named dialogue frame not present in the excerpt.
Vishnu (Bhagavān)
Transmission of Veda through ṛṣi lineagesSāmavedic musical-sacral soundGandharvas and sacred musicIntegration of narrative (ākhyāna) with Vedic learning

{ "primaryRasa": "adbhuta", "secondaryRasa": "shanta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }

FAQs

The Sāmaveda is fundamentally sung; Gandharvas personify celestial music. Their mention underscores the sacral-musical dimension of Sāman recitation and its cosmic prestige.

In Purāṇic diction it can signal that Vedic instruction is taught along with explanatory narratives—extended accounts that contextualize mantras, rites, and their fruits—bridging śruti with itihāsa/purāṇa-style exposition.

It functions as a lineage marker (‘of Aṅgiras’), situating Bharadvāja within a revered ṛṣi genealogy and emphasizing the legitimacy of the transmission.