The Second Sin-Destroying Hymn (Pāpaśamana Stava) and the Syncretic Praise of Hari-Hara
मूलं ते ब्राह्मणा ब्रह्मन् स्कन्धस्ते क्षत्रियोर्दिशः नाभ्या ह्यभूदन्तरिक्षं शशाङ्को मनसस्तव
mūlaṃ te brāhmaṇā brahman skandhaste kṣatriyordiśaḥ nābhyā hyabhūdantarikṣaṃ śaśāṅko manasastava
হে ব্ৰহ্মন! ব্ৰাহ্মণসকল তোমাৰ মূল; ক্ষত্ৰিয়সকল দিশাসমূহৰ দৰে তোমাৰ স্কন্ধ (কাণ্ড)। তোমাৰ নাভিৰ পৰা অন্তৰীক্ষ উদ্ভৱ হ’ল, আৰু তোমাৰ মনৰ পৰা শশাঙ্ক (চন্দ্ৰ) প্ৰকাশিত হ’ল।
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It is primarily symbolic and cosmological: varṇas are mapped onto the deity’s ‘tree/body’ to express that social order (dharma as structured society) is grounded in the sacred. It echoes older Purāṇic and Vedic idioms of correlating cosmos, body, and society.
The ‘directions’ (diśaḥ) represent protection and governance of space; Kṣatriya dharma is to guard the realm and uphold order. Calling them ‘trunk/directions’ suggests they function as the stabilizing axis and protective spread of the social organism.
The navel is a common Purāṇic generative locus (a center of emanation), here associated with the intermediate cosmic region. The moon’s association with mind reflects a widespread Indic correspondence (candra–manas), where lunar cycles mirror mental rhythms and soma symbolism.