Nara-Narayana’s Tapas, Indra’s Temptation, and the Burning of Kama: The Origin of Ananga and the Shiva-Linga Episode
ततश्चचाल पृथिवी गिरयः सरितो नगाः पातालभुवनाः सर्वे जङ्गमाजङ्गमैर्वृताः
tataścacāla pṛthivī girayaḥ sarito nagāḥ pātālabhuvanāḥ sarve jaṅgamājaṅgamairvṛtāḥ
তেতিয়া পৃথিৱী কঁপি উঠিল; পৰ্বত, নদী আৰু গছ-গছনিও দুলিবলৈ ধৰিলে; আৰু জংগম-অজংগমেৰে ভৰা পাতালৰ সকলো ভুৱন ব্যাকুল হ’ল।
{ "primaryRasa": "bhayanaka", "secondaryRasa": "adbhuta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
The shaking of all categories—moving and unmoving—teaches that worldly stability is contingent. Dharma is to be grounded in the eternal (brahman/Īśvara), not in the presumed permanence of material arrangements.
This is cosmographic description supporting Sarga/Pratisarga themes (world-structure and its disturbance). It uses totalizing categories (jaṅgama/ajaṅgama) typical of Purāṇic cosmology.
By naming both jaṅgama and ajaṅgama, the text signals completeness: the divine event affects all layers of being. It also echoes the Purāṇic idea that when the cosmic ‘pillar’ (liṅga/axis) is active, all realms respond.