Nara-Narayana’s Tapas, Indra’s Temptation, and the Burning of Kama: The Origin of Ananga and the Shiva-Linga Episode
नीलेन्दीवरनेत्रा च ब्रह्मन् बिल्वफलस्तनी प्रफुल्लकुन्ददशना मञ्जरीकरशोभिता
nīlendīvaranetrā ca brahman bilvaphalastanī praphullakundadaśanā mañjarīkaraśobhitā
হে ব্ৰাহ্মণ, তাইৰ চকু নীলা পদুমৰ দৰে, স্তন বিল্বফলৰ দৰে; দাঁত সম্পূৰ্ণ ফুলি উঠা কুন্দফুলৰ দৰে, আৰু হাত মঞ্জৰীৰ গুচ্ছেৰে শোভিত আছিল।
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By presenting divinity through auspicious, life-giving symbols (lotus, bilva, kunda), the text encourages sāttvika imagination—training the mind to dwell on purity, generosity, and auspiciousness.
Not a direct pañcalakṣaṇa unit; it functions as devotional-ornamental description supporting a larger māhātmya narrative, typical of Purāṇic didactic style.
Bilva is strongly linked with ritual auspiciousness (notably in Śaiva worship elsewhere), lotus with purity, and kunda with whiteness/clarity—together signaling a form that integrates beauty with sanctity.