Shloka 21
Origin of Jaleśvara Tīrtha and the Devas’ Appeal to Śiva against Bāṇa/Tripura
Nārada’s Mission
मालाकुंडलकेयूरैर्मुकुटेन विराजितम् । हाररत्नैश्च संछन्नं चंद्रकांतिविभूषितम्
mālākuṃḍalakeyūrairmukuṭena virājitam | hāraratnaiśca saṃchannaṃ caṃdrakāṃtivibhūṣitam
মালা, কুণ্ডল, কেয়ূৰ আৰু মুকুটে সি উজ্জ্বল আছিল। ৰত্নখচিত হাৰে আচ্ছাদিত, চন্দ্ৰসম কান্তিৰে বিভূষিত হৈ শোভা পাইছিল।
Unspecified narrator (context not provided)
Concept: Outer adornment and radiance are not equivalent to inner purity; true ‘candra-kānti’ (cool, beneficent luminosity) belongs to sattva and devotion, not merely jewelry.
Application: Invest in character as your primary ‘ornament’; let speech and conduct be the garland and crown.
Primary Rasa: adbhuta
Secondary Rasa: shringara
Type: celestial_realm
Visual Art Cues: {"scene_description":"A regal figure stands draped in layered necklaces and garlands, earrings and armlets catching the light, a crown rising like a mountain peak of gold. The entire silhouette seems washed in a cool, moonlike sheen, as if the ornaments themselves exhale pale radiance into the surrounding air.","primary_figures":["Bāṇa (or the richly adorned dānava lord)","attendants (optional, minimal)"],"setting":"Inner palace hall with gem-studded pillars, polished floors reflecting moonlike light, and hanging garlands.","lighting_mood":"moonlit","color_palette":["moonstone white","antique gold","midnight blue","jade green","rose quartz pink"],"tanjore_prompt":"Tanjore painting style: central crowned figure covered in layered necklaces, garlands, armlets; heavy gold leaf for jewelry and crown; gem-like paint accents; palace backdrop with ornate pillars; rich reds and greens, embossed detailing to emphasize opulence and ‘candra-kānti’ glow.","pahari_prompt":"Pahari miniature style: refined portrait-like depiction with delicate jewelry detailing; cool moonlit ambience, soft gradients; palace interior with subtle floral motifs; restrained elegance with luminous highlights on ornaments.","kerala_mural_prompt":"Kerala mural style: bold outlines and stylized jewelry patterns; prominent crown and necklaces; cool white highlights to suggest moon-radiance; temple-wall palette with rhythmic ornament motifs and symmetrical composition.","pichwai_prompt":"Pichwai cloth painting style: decorative borders of lotuses and floral creepers; central regal figure with ornate textiles; deep indigo background with gold ornamentation; stylized pearl strings and lotus medallions echoing the moonlike theme."}
Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Yaman","pace":"slow-meditative","voice_tone":"reverent-soft","sound_elements":["soft bells","gentle veena drone","silk rustle","distant court ambience","quiet echo in a hall"]}
Sandhi Resolution Notes: मालाकुंडलकेयूरैः → माला + कुण्डल + केयूरैः (समाहार-द्वन्द्व); हाररत्नैश्च → हार-रत्नैः + च; चंद्रकांतिविभूषितम् → चन्द्र + कान्ति + विभूषितम्.
FAQs
It portrays a divine or exalted figure richly ornamented—garlands, earrings, armlets, crown, and jewel-necklaces—radiating a moonlike splendor (candrakānti).
Candrakānti suggests a cool, serene, luminous beauty comparable to moonlight—often used to convey auspiciousness, purity, and captivating radiance.
Not explicitly; it is primarily descriptive (alaṅkāra). Any implied lesson would be indirect—highlighting divine majesty and auspicious splendor rather than prescribing conduct.