Shloka 13

अध्याय २८६ — पराशर-उपदेशः

Ethical Restraint, Mortality, and Karma

Devanagari script

भवात्मकं सम्परिवर्तमानं न मादृश:संज्वरं जातु कुर्यात्‌ । इष्टान्‌ भोगान्‌ नानुरुध्येत्‌ सुखं वा न चिन्तयेद्‌ दुःखमभ्यागतं वा,संसारके स्वरूपको परिवर्तित होता देख मेरे-जैसा मनुष्य कभी संताप नहीं करता है। अभीष्ट भोग अथवा सुखका भी अनुसरण नहीं करता तथा दुःख आ जाय तो उसके लिये चिन्तित नहीं होता

Transliteration

bhavātmakam samparivartamānaṃ na mādṛśaḥ saṃjvaraṃ jātu kuryāt | iṣṭān bhogān nānurudhyet sukhaṃ vā na cintayed duḥkham abhyāgataṃ vā ||

Translation

সংসাৰক ভব-স্বভাৱৰ নিৰন্তৰ পৰিভ্ৰমণ বুলি দেখি, মোৰ দৰে মানুহে কেতিয়াও দহন-দুখত নপৰে। সি ইচ্ছিত ভোগ বা সুখৰ পিছে নধাৱে; আৰু দুখ আহিলেও তাক লৈ মনত চিন্তা নকৰে।

Word by Word

• {'bhavātmakam': 'consisting in bhava

• pertaining to worldly becoming/existence (saṃsāra)', 'samparivartamānam': 'continually revolving/undergoing change

• turning again and again', 'na': 'not', 'mādṛśaḥ': 'one like me

• a person of my kind (i.e., disciplined/wise)', 'saṃjvaram': 'burning anguish, feverish distress, inner torment', 'jātu': 'ever, at any time', 'kuryāt': 'would do/make

• would produce (in oneself)', 'iṣṭān': 'desired, pleasing, wished-for', 'bhogān': 'enjoyments, sense-pleasures, objects of enjoyment', 'na anurudhyet': 'should not pursue/attach oneself to

• should not follow after', 'sukham': 'happiness, pleasure, comfort', 'vā': 'or/even', 'na cintayet': 'should not think anxiously about

• should not worry/brood', 'duḥkham': 'sorrow, pain, suffering', 'abhyāgatam': 'that which has come upon one

Speaker

समड़ उवाच

Characters & Entities

• समड़ (Samaḍa/Samaḍaḥ, speaker)

Educational Q&A

What is the core teaching?

Cultivate equanimity by recognizing saṃsāra as constantly changing: do not cling to pleasant experiences or happiness, and do not become mentally agitated when suffering arrives.

What is happening in the narrative?

In the didactic discourse of Śānti Parva, the speaker (Samaḍa) describes the stance of a disciplined person: observing the revolving nature of worldly existence, he refuses both craving for pleasures and anxiety over inevitable sorrow.