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Shloka 27

अस्त्रयुद्धे द्रौणिपार्थसंघर्षः — Karṇa’s Bhārgavāstra and the Search for Yudhiṣṭhira

Chapter 45

बा्स्पत्य: सुविहितो नायकेन विपश्चिता । नृत्यतीव महाव्यूह: परेषां भयमादधत्‌,विद्वान्‌ सेनापति कर्णके द्वारा बृहस्पतिकी बतायी हुई रीतिके अनुसार भलीभाँति रचा गया वह महान्‌ व्यूह शत्रुओंके मनमें भय उत्पन्न करता हुआ नृत्य-सा कर रहा था

bārhaspatyaḥ suvihito nāyakena vipaścitā | nṛtyatīva mahāvyūhaḥ pareṣāṃ bhayam ādadat ||

সঞ্জয়ে ক’লে— বृहস্পতিয়ে প্ৰণীত নীতিমতে জ্ঞানী নায়কে সুসজ্জিতকৈ বিন্যস্ত কৰা সেই মহাব্যূহে শত্রুপক্ষৰ হৃদয়ত ভয় সঞ্চাৰ কৰি যেন নৃত্যৰ দৰে গতি কৰিছিল।

बृहस्पत्यःBṛhaspati (the preceptor)
बृहस्पत्यः:
Karta
TypeNoun
Rootबृहस्पति
FormMasculine, Nominative, Singular
सुविहितःwell-arranged/skillfully formed
सुविहितः:
Karta
TypeAdjective
Rootसु-विहित
FormMasculine, Nominative, Singular
नायकेनby the leader
नायकेन:
Karana
TypeNoun
Rootनायक
FormMasculine, Instrumental, Singular
विपश्चिताby the wise/learned one
विपश्चिता:
Karana
TypeAdjective
Rootविपश्चित्
FormMasculine, Instrumental, Singular
नृत्यdances
नृत्य:
Karta
TypeVerb
Rootनृत्
FormPresent, Third, Singular
इवas if/like
इव:
TypeIndeclinable
Rootइव
महाव्यूहःthe great battle-formation
महाव्यूहः:
Karta
TypeNoun
Rootमहाव्यूह
FormMasculine, Nominative, Singular
परेषाम्of the enemies/others
परेषाम्:
TypeNoun
Rootपर
FormMasculine, Genitive, Plural
भयम्fear
भयम्:
Karma
TypeNoun
Rootभय
FormNeuter, Accusative, Singular
आदधत्placing/producing (fear)
आदधत्:
Karta
TypeVerb
Rootआ-धा
FormMasculine, Nominative, Singular, शतृ (present active participle)

संजय उवाच

संजय (Sañjaya)
बृहस्पति (Bṛhaspati)
महाव्यूह (mahāvyūha, great battle-formation)
नायक/सेनापति (commander; implied—Karna in context of Karṇa Parva)

Educational Q&A

The verse highlights that in warfare, disciplined organization guided by learned counsel is itself a force: a well-designed formation can intimidate and destabilize the enemy psychologically. Ethically, it points to the power—and responsibility—of intelligent leadership, since strategy can magnify harm even before direct combat.

Sañjaya describes a massive battle-array on the Kaurava side, arranged according to the Bṛhaspati tradition of tactics by a wise commander (contextually, under Karṇa’s command). The formation advances with coordinated, almost dance-like motion, and its very appearance and movement spreads fear among the opposing army.