द्रोणवध-प्रश्नः
Droṇa’s Fall: Dhṛtarāṣṭra’s Inquiry
पज्चानां द्रौपदेयानां प्रतिमा ध्वजभूषणम् | धर्ममारुतशक्राणामश्रिनो श्ष महात्मनो:
pañcānāṁ draupadeyānāṁ pratimā dhvajabhūṣaṇam | dharmamārutaśakrāṇām aśrīno ’ṣau mahātmanaḥ ||
সঞ্জয়ে ক’লে—সেই মহাত্মা বীৰৰ ধ্বজত দ্ৰৌপদীৰ পাঁচ পুত্ৰৰ প্ৰতিমা ধ্বজ-ভূষণৰূপে আছিল; সেয়া ধৰ্ম, মাৰুত আৰু শক্ৰ (ইন্দ্ৰ) সদৃশ আশ্ৰয়দায়ী শক্তি আৰু ৰক্ষাৰ প্ৰতীক আছিল।
संजय उवाच
Even amid war, identity is framed through dharma and rightful affiliations: the banner-emblem links the warrior’s public presence to noble lineage and to divine ideals (Dharma, Vāyu, Indra), suggesting that power should be aligned with righteousness and protection rather than mere aggression.
Sañjaya is describing a warrior’s standard: it is adorned with an emblem resembling the five Draupadeyas, presented as a distinguished ornament of the banner and associated with the divine powers named (Dharma, Vāyu, Indra).