भीष्मपर्व — अध्याय 54: फल्गुन-प्रतिरोधः, सौबली-व्यूह-विध्वंसः, दुर्योधन-भीष्म-संवादः
आदित्यपथग: केतुस्तस्याद्भुतमनोरम: । शासनात् पुरुहृतस्य निर्मितो विश्वकर्मणा,उनका अद्भुत एवं मनोरम ध्वज सूर्यके पथमें (ऊँचे आकाशमें) फहरा रहा था। इन्द्रके आदेशसे साक्षात् विश्वकर्माने उसका निर्माण किया था
ādityapathagaḥ ketus tasyādbhuta-manoramaḥ | śāsanāt puruhṛtasya nirmito viśvakarmaṇā ||
তেওঁৰ ধ্বজা আছিল আশ্চৰ্য আৰু মনোহৰ; সূৰ্যৰ পথ ধৰি উচ্চ আকাশত ই উৰি আছিল। পুৰুহূত (ইন্দ্ৰ)ৰ আদেশত স্বয়ং বিশ্বকৰ্মাই তাক নিৰ্মাণ কৰিছিল।
संजय उवाच
The verse highlights how emblems of power (like a banner) are portrayed as grounded in higher authority: divine command (Indra) and divine skill (Viśvakarman). Ethically, it suggests that legitimacy and morale in conflict are reinforced through symbols believed to be sanctioned beyond mere human ambition.
Sañjaya describes a warrior’s splendid banner flying high in the sky, emphasizing its extraordinary beauty and its divine origin—crafted by Viśvakarman at Indra’s command—thereby magnifying the warrior’s stature on the battlefield.