Shloka 12
Śatarudrīya-prabhāva and Rudra’s Supremacy (शतरुद्रीयप्रभावः)
षट्पदैरुपगीतैश्व माधवाप्रतिमो गिरि: । तन्महोत्सवसंकाशं भीमरूपधरं तत:
ṣaṭpadair upagītaiś ca mādhavāpratimo giriḥ | tan-mahotsava-saṅkāśaṃ bhīma-rūpa-dharaṃ tataḥ ||
নাৰদে ক’লে—তেতিয়া সেই পৰ্বত মাধৱ (বিষ্ণু) সদৃশ দীপ্তিমান হৈ উঠিল আৰু ভ্ৰমৰসকলৰ গুঞ্জন-গীতে স্তুত হ’ল। তাৰ পাছত ভয়ংকৰ ৰূপ ধাৰণ কৰা এক প্ৰচণ্ড সত্তা প্ৰকট হ’ল, মহোৎসৱৰ দৰে দ্যুতিময়।
नारद उवाच
Educational Q&A
The verse uses auspicious natural imagery (bees’ humming, festival-like radiance) alongside a sudden fearful manifestation to suggest that dharmic narratives often juxtapose beauty and terror, reminding the listener to maintain steadiness and discernment amid changing appearances.
Nārada describes a mountain scene filled with the humming ‘songs’ of bees, portraying the mountain as splendid like Mādhava; then he notes the subsequent appearance of a terrifying, formidable form, shining with a brilliance likened to a grand festival.