Veṅkaṭācala Māhātmya: Bhakti-Lakṣaṇa, Nārasiṁha-tīrtha, and the Secret Darśana-Vidhi of Śrīnivāsa
स्त्रीरूपेभ्यो नमनं कार्यमेव तथैव पद्मस्य च मध्यभागे / अनुग्रहाख्या विष्णुलक्ष्मीश्च देवी वायुर्वियच्छेषरुद्रादिकानाम्
strīrūpebhyo namanaṃ kāryameva tathaiva padmasya ca madhyabhāge / anugrahākhyā viṣṇulakṣmīśca devī vāyurviyaccheṣarudrādikānām
স্ত্ৰী-ৰূপসমূহক নমন কৰাটো অৱশ্য; তদুপৰি পদ্মৰ মধ্যভাগকো। তাত ‘অনুগ্রহা’ নামৰ বিষ্ণু-লক্ষ্মী দেৱী অধিষ্ঠিতা; আৰু বায়ু, বিয়ৎ (আকাশ), শেষ, ৰুদ্ৰ আদি তত্ত্বও আছে।
Lord Vishnu (in dialogue with Garuda/Vinata-putra)
Concept: Anugraha (divine grace) as the central sustaining principle; Viṣṇu-Lakṣmī as the compassionate core around which other tattvas (Vāyu, Viyat, Śeṣa, Rudra) are harmonized.
Vedantic Theme: Grace as the operative power of Īśvara; śakti inseparable from the Lord; reconciliation of multiple tattvas within a single center.
Application: In worship/meditation, rest attention at the heart-center (lotus middle) and invoke ‘Anugrahā’ as Viṣṇu-Lakṣmī; cultivate gratitude and surrender while acknowledging supporting principles (prāṇa/Vāyu, space/Viyat).
Primary Rasa: shanta
Secondary Rasa: adbhuta
Type: mandala/lotus-seat (padma)
Related Themes: Garuda Purana 3.24.97-99 (petal placements); Garuda Purana 3.24.101 (Ananta/Śrīnivāsa emphasis)
This verse treats the lotus-center as a sacred locus where grace (Anugrahā as Viṣṇu-Lakṣmī) and key cosmic principles (like Vāyu and Viyat) are contemplated, making it significant for devotional and subtle-body oriented practice.
By naming Vāyu (vital wind) and Viyat (ether) alongside divine presences, the verse aligns with Garuda Purana’s framework where subtle elements and inner loci are invoked/understood as part of the soul’s post-death and metaphysical journey.
Cultivate reverence (namana) toward the divine feminine and practice inward remembrance/meditation on the heart-lotus as a seat of grace, supporting steadiness, devotion, and ethical restraint.