सूर्यरथ-कालचक्र-आयनविभागः, संध्योपासनम्, देवयान-पितृयानम्, विष्णुपद-गङ्गावतरणम्
हयाश् च सप्त छन्दांसि तेषां नामानि मे शृणु गायत्री च बृहत्य् उष्णिग् जगती त्रिष्टुब् एव च अनुष्टुप् पङ्क्तिर् इत्य् उक्ताश् छन्दांसि हरयो रवेः
hayāś ca sapta chandāṃsi teṣāṃ nāmāni me śṛṇu gāyatrī ca bṛhaty uṣṇig jagatī triṣṭub eva ca anuṣṭup paṅktir ity uktāś chandāṃsi harayo raveḥ
والخيلُ سبعةٌ—وهي في الحقيقة الأوزانُ الودّية السبعة. فاسمعْ أسماءَها مني: غاياتري، وبِرهتي، وأُشنِك، وجَغَتي، وتريشْتُب، وأنُشْتُب، وبَنْكتي. وهذه الأوزانُ مُعلَنةٌ أنها جيادُ رَوي (الشمس).
Sage Parāśara (teaching Maitreya)
It presents the Sun’s motion as governed by sacred rhythm: the chandas (metres) symbolize ordered cadence, implying that cosmic time and light proceed according to a divinely structured pattern.
By equating Surya’s horses with chandas, Parāśara frames mantra-metre as a cosmic principle—speech-patterns are not merely poetic forms but correspondences that uphold the universe’s regularity.
Surya’s ordered course points to a higher sovereignty behind cosmic law; in Vaishnava thought, such order ultimately rests in the Supreme Reality who sustains all functions of time, light, and dharma.