सर्गभेदाः — अविद्या, स्रोतोभेदाः, नव सर्गाः, देवासुरादिसृष्टिः, वेद-यज्ञप्रादुर्भावः
यजूंषि त्रैष्टुभं छन्दः स्तोमं पञ्चदशं तथा बृहत् साम तथोक्थं च दक्षिणाद् असृजन् मुखात्
yajūṃṣi traiṣṭubhaṃ chandaḥ stomaṃ pañcadaśaṃ tathā bṛhat sāma tathokthaṃ ca dakṣiṇād asṛjan mukhāt
ومن الجانب الأيمن لذلك الفم الكوني خرجت تراتيلُ اليَجُس، ووزنُ تريشْتُبْه، والستوم ذو الخمسةَ عشر، و«بْرِهَت سامن»، و«أُكْثا»—وهكذا نشأت صورُ الصوت الفيديّ ونظامُ القربان بوصفها تجلّي كلامِ العليّ.
Sage Parāśara (teaching Maitreya)
It presents Vedic speech and sacrificial knowledge as emanations of the Supreme, implying that ritual order and sacred sound are grounded in cosmic sovereignty rather than human invention.
He frames them as structured manifestations of creation—specific chant-arrangements (stoma), major melodies (Bṛhat Sāman), and recitations (Uktha) arising as part of the universe’s lawful articulation.
Vishnu is implied as the ultimate source behind Veda and yajña, the Supreme Reality from whom cosmic speech and dharmic order proceed, supporting a strongly theistic (Vaishnava) reading of creation.