Sukeshi’s Inquiry into Dharma: The Seven Dvipas and the Twenty-One Hells
ततो हुताशः सुरशत्रुसैन्यं ददाह रोषात् पवनावधूतः तमभ्ययाद् दानवविश्वकर्मा मयो महाबाहुरुदग्रवीर्यः
tato hutāśaḥ suraśatrusainyaṃ dadāha roṣāt pavanāvadhūtaḥ tamabhyayād dānavaviśvakarmā mayo mahābāhurudagravīryaḥ
ثم إن هوتاشا (أغني)، وقد أهاجته الريح، أحرق بغيظٍ جيشَ أعداءِ الآلهة. وعندئذٍ تقدّم نحوه الدانافا «فيشفاكَرمان» مايا، عظيمَ الذراعين شديدَ البأس.
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When adharma swells, counter-forces arise through coordinated powers (wind empowering fire). The narrative also cautions that opposition is adaptive: Maya, emblem of ingenuity, responds to overwhelming force with strategy and craft.
Vamśānucarita / Carita: a battle-episode within the accounts of deva–asura antagonism, featuring prominent figures (Agni, Maya) rather than cosmogenesis or manvantara catalogues.
Agni (purifying destruction) intensified by Vāyu (motion, prāṇa) represents accelerated karmic retribution and purification. Maya, the architect of illusion and technology, symbolizes the asuric reliance on contrivance—an enduring counterpoint to direct divine potency.