HomeVamana PuranaAdh. 59Shloka 115
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Vamana Purana — Sarasvata Hymn to Vishnu, Shloka 115

The Sarasvata Hymn to Vishnu (Vishnu-Pañjara) and the Redemption of a Rakshasa

अहर्निशं हृषीकेशं स्तवेनानेन राक्षस स्तुहि भक्तिं दृढां कृत्वा ततः पापाद् विमोक्ष्यसे

aharniśaṃ hṛṣīkeśaṃ stavenānena rākṣasa stuhi bhaktiṃ dṛḍhāṃ kṛtvā tataḥ pāpād vimokṣyase

{"scene_description": "A concluding tableau: devotees of varied backgrounds praise Hari; dark stains of sin dissolve into light, emphasizing certainty and universality.", "primary_figures": ["Hari/Viṣṇu", "Group of devotees (men and women, varied types)"], "setting": "Temple courtyard or riverbank shrine; light radiating from Viṣṇu to the gathered chanters; text-scroll motif of the stotra.", "color_palette": ["radiant gold", "deep blue", "white", "saffron", "sky blue"], "tanjore_prompt": "Tanjore, Hari/Viṣṇu enthroned with gold-leaf brilliance, devotees chanting in semicircle holding stotra scrolls, symbolic black stains dissolving into light, ornate temple architecture, rich jewel colors", "pahari_prompt": "Pahari miniature, serene gathering of devotees in soft pastels, Viṣṇu as luminous center, gentle rays washing away dark motifs, lyrical landscape background", "kerala_mural_prompt": "Kerala mural, iconic Viṣṇu with bold outlines, chorus of devotees in rhythmic posture, strong gold and red accents, stylized aura indicating pāpa-nāśa", "pattachitra_prompt": "Pattachitra, scroll-like phalaśruti panel, Viṣṇu medallion, devotees chanting, sin shown as small dark demons fleeing, decorative borders and flat natural dyes"}

Unspecified in provided excerpt; a teacher/authority figure instructing a rākṣasa addressee
Vishnu (Hṛṣīkeśa)
Continuous remembrance (smaraṇa) and praiseBhakti as transformative disciplineMoral purification (pāpa-vimokṣa)Inclusivity of devotion (even a rākṣasa is eligible)

{ "primaryRasa": "vira", "secondaryRasa": "shanta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }

FAQs

The address underscores that bhakti and stuti are not restricted by birth or species; even one marked as ‘rākṣasa’ can attain purification through steadfast devotion to Hṛṣīkeśa.

It indicates regular, sustained engagement—constant recitation or continual devotional orientation—rather than a one-time ritual act, aligning with Purāṇic ideals of nāma/stuti as ongoing sādhana.

As ‘Lord of the senses’, Hṛṣīkeśa signifies mastery and purification of sensory life; firm bhakti reorients the senses toward the divine, which the text presents as a direct means to pāpa-vimokṣa.