Rudra’s Wrath at Daksha’s Sacrifice and the Iconography of Kālarūpa through the Zodiac
व्रीहिप्रदीपिककरा मनावारूढा च कन्यका चरते स्त्रीरतिस्थाने वसते नड्वलेषु च
vrīhipradīpikakarā manāvārūḍhā ca kanyakā carate strīratisthāne vasate naḍvaleṣu ca
فتاةٌ عذراء—تمسك في يدها سراجًا من الأرز، وتركب على (ما يُسمّى) مانا (manā)—تتحرّك ذهابًا وإيابًا؛ وتقيم في مواضع لهو النساء الإيروتيكي، كما تقيم أيضًا في مهاد القصب.
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In tīrtha sections, such motifs often function as cautionary or identificatory markers: certain zones are characterized by secrecy and sensuality (rati-sthāna, reed-beds), reminding practitioners to maintain discernment and self-restraint while navigating the landscape.
This is best treated as kṣetra-varṇana / tīrtha-māhātmya descriptive material rather than one of the five lakṣaṇas; it resembles local legend-encoding within pilgrimage geography.
A lamp (pradīpikā) in erotic/hidden locales can symbolize the tension between illumination (awareness) and concealment (reed-beds, secret trysts), a common purāṇic way of marking morally ambiguous or liminal spaces within a sacred region.