Rudra’s Wrath at Daksha’s Sacrifice and the Iconography of Kālarūpa through the Zodiac
उत्तरांशास्त्रयो ऋक्षं श्रवणं मकरो मुने धनिष्ठार्धं शतभिषा जानुनी परमेष्ठिनः
uttarāṃśāstrayo ṛkṣaṃ śravaṇaṃ makaro mune dhaniṣṭhārdhaṃ śatabhiṣā jānunī parameṣṭhinaḥ
أيها الموني، إن الأجزاء الشمالية الثلاثة—مع شرافَنا (Śravaṇa) ومَكَرَ (Makara، الجدي)—ونصف دَنيشْثا (Dhaniṣṭhā) الأخير مع شَتَبِهِشا (Śatabhiṣā)، هي ركبَتا الربّ الأعلى.
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By identifying ‘knees’ with specific sky-divisions, the text invites meditative integration: one’s understanding of time-cycles can become devotion, seeing the divine in the very joints that ‘articulate’ cosmic movement.
Primarily Sarga-type cosmological structuring (how the manifested order is mapped and understood), with a secondary function as a devotional aid (upāsanā) through cosmic visualization.
Knees signify flexion and transition—symbolically mirroring how nakṣatras and rāśis mark transitions in lunar/solar motion. The mapping sacralizes change itself as a divine articulation rather than randomness.