Nara-Narayana’s Tapas, Indra’s Temptation, and the Burning of Kama: The Origin of Ananga and the Shiva-Linga Episode
प्रालेयाद्रिं समागम्य तीर्थे बदरिकाश्रमे गृमन्तौ तत्परं ब्रह्म गङ्गाया विपुले तटे
prāleyādriṃ samāgamya tīrthe badarikāśrame gṛmantau tatparaṃ brahma gaṅgāyā vipule taṭe
ولمّا بلغا الجبل المكسوّ بالثلج (الهيمالايا) والمَعبر المقدّس في باداريكاشراما، أقاما هناك، منصرفين إلى البراهمان الأسمى، على الضفة الفسيحة لنهر الغانغا.
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The verse presents sacred geography as an aid to realization: dwelling in a tīrtha and living with one-pointedness toward Brahman exemplifies how place, practice, and intention converge in the pursuit of liberation.
This aligns most closely with Carita/Vamśānucarita-style narration (accounts of divine-sage activity) and also functions as a tīrtha-oriented passage (often a Purāṇic mode adjacent to dharma instruction rather than the five classical lakṣaṇas).
Prāleyādri (snow-mountain) suggests purity and austerity; Gaṅgā signifies purification and divine descent; Badarikāśrama symbolizes the hermitage ideal—together mapping an inner ascent where the mind becomes ‘broad-banked’ and steady in Brahman.