अर्धनारीश्वरप्रादुर्भावः
Manifestation of Ardhanārīśvara and the Impulse for Procreative Creation
जय त्रिपुरकालाग्ने जय त्रिपुरभैरवि । जय त्रिगुणनिर्मुक्ते जय त्रिगुणमर्दिनि
jaya tripurakālāgne jaya tripurabhairavi | jaya triguṇanirmukte jaya triguṇamardini
النصر لكِ يا كالا-أغني، يا زمنَ النار التي أحرقت تريبورا؛ النصر لكِ يا بهايرَفي، يا القوةَ المهيبة التي أخضعت تريبورا. النصر لكِ يا من تحرّرتِ من الغونات الثلاث؛ النصر لكِ يا من تقهرين الغونات الثلاث.
Suta Goswami (narrating the Vayu Samhita discourse to the sages at Naimisharanya)
Tattva Level: pati
Shiva Form: Tripurāntaka
Sthala Purana: Not tied to a single jyotirliṅga; evokes the Tripura-saṃhāra myth where Śiva (with Śakti) destroys the triple cities—symbol of the threefold bondage/impurity and the tri-guṇa entanglement.
Significance: Contemplation of Tripurāntaka/Bhairavī imagery is used to cultivate vairāgya and surrender, recognizing Śiva-Śakti as transcendent to guṇas and as the power that crushes guṇic bondage.
Type: stotra
Shakti Form: Kālī
Role: destructive
Cosmic Event: Tripura-saṃhāra (mythic cosmic destruction motif)
The verse praises Shiva-Shakti as both the cosmic dissolving power (kālāgni) and the liberating Reality beyond the three guṇas, teaching that true refuge is the Pati (Lord) who grants freedom from bondage (guṇa-driven limitation).
Tripura-samhāra is a Saguna līlā (divine act) of Shiva, yet the verse immediately points to His Nirguna supremacy—transcending guṇas—showing how Linga-worship begins with form and culminates in realization of the formless Lord.
Use it as a japa-style stuti: repeat the four epithets while visualizing Shiva as Tripurāntaka and meditating on guṇa-transcendence; it pairs naturally with Panchākṣarī (Om Namaḥ Śivāya) and Tripuṇḍra-bhasma remembrance for purification of sattva, rajas, and tamas.