Soma Pavamāna’s self-purification and forward rush through the woollen filter, becoming an effective oblation that draws Indra and grants ‘svar’ (heaven/light).
पवते हर्यतो हरिरति ह्वरांसि रंह्या अभ्यर्ष स्तोतृभ्यो वीरवद्यशः
pavate haryato harirati hvarāṃsi raṃhyā abhyarṣa stotṛbhyo vīravadyaśaḥ
pavate haryataḥ hariḥ ati hvarāṃsi raṃhyā3 abhyarṣa stotṛbhyo vīravadyaśaḥ
السُّوما الذهبي يُنقّى؛ متجاوزًا كلَّ العوائق، عَذْبًا في جَرَيانِه—فاندفِع نحو المُسبِّحين، واهَبًا نَسْلًا بَطوليًّا ومَجدًا.
pavate | haryataḥ | hariḥ | ati | hvarāṃsi | raṃhyāḥ | abhi-arṣa | stotṛbhyaḥ | vīra-vat | yaśaḥ
Pavamāna-sāman (generic; specific tune not stated in input)
{ "prastava": "o vā | o vā (typical Prastāva stobha framework; exact gāna text not provided)", "udgitha": "pavate haryato hariḥ ... abhyarṣa stotṛbhyaḥ", "pratihara": "hā u hāyi (responsive stobhas; exact not specified)", "upadrava": "... vīravadyaśaḥ (re-sung/expanded with elongations)", "nidhana": "oṃ / hāu (closing stobha; varies by śākhā and gāna)", "structure_notes": "Without the specific gāna, parts are given as standard Kauthuma sāman architecture: text typically concentrated in udgītha/upadrava, framed by stobha-heavy prastāva/pratihāra/nidhana.", "singer_assignments": "Prastotṛ: prastāva; Udgātṛ: udgītha + upadrava; Pratihartṛ: pratihāra; all three join in nidhana." }
{ "gloss_summary": "hariḥ is Soma by tawny color; hvarāṃsi are impediments/faults that hinder the sacrifice; Soma, purified, goes to the stotṛs and grants vīra (heroic offspring) and yaśas (fame).", "ritual_interpretation": "The verse accompanies the making-fit of Soma through straining; it is directed toward the Sāmaga chanters whose stotra is empowered by purified Soma.", "theological_insight": "Purified Soma is both offering and grace: by removing doṣa it enables the rite to reach its fruit and bestows prosperity and renown.", "etymology_highlights": "hari (tawny, shining); hvara (crookedness/defect → obstacle); pavate (to purify/flow)." }