Soma Pavamāna’s self-purification as radiant, bull-like power that upholds ṛta/dharma and advances to Indra’s appointed share
अचिक्रदद्वृषा हरिर्महान्मित्रो न दर्शतः सं सूर्येण दिद्युते
acikradadvṛṣā harirmahānmitro na darśataḥ saṃ sūryeṇa didyute
ácikradad1 vṛ́ṣā2 hárir2 mahā́n2 mítraḥ2 na1 darśatáḥ2 sáṃ1 sū́ryeṇa2 didyute2
لقد صاحَ الثورُ الأشقرُ (hari) صياحًا عاليًا؛ عظيمٌ، وكـمِترا، بهيّ المنظر، يلمعُ متّحدًا مع سوريَا (الشمس).
acikradat | vṛṣā | hariḥ | mahān | mitraḥ | na | darśataḥ | sam | sūryeṇa | didyute
Pavamana-sāman (generic; specific tune not stated in input)
{ "prastava": "Stobha-led call introducing the ‘cry’ motif (exact prastāva depends on gāna).", "udgitha": "acikradadvṛṣā harirmahānmitro na darśataḥ saṃ sūryeṇa didyute (expanded per sāman practice).", "pratihara": "Responsive return emphasizing mitraḥ na darśataḥ (beauty/order) or the cadence.", "upadrava": "After-song extension on saṃ sūryeṇa didyute to ‘shine out’ musically.", "nidhana": "Collective final cadence (often long vowel/steady tone) sealing the solar union.", "structure_notes": "Semantic ‘saṃ sūryeṇa’ is typically treated as a unifying musical hinge; the final verb supports nidhana prolongation.", "singer_assignments": "Prastotṛ (prastāva), Udgātṛ (udgītha+upadrava), Pratihartṛ (pratihāra), all (nidhana)." }
{ "gloss_summary": "vṛṣā denotes Soma’s potent male efficacy; mitraḥ na indicates beneficent, order-maintaining auspiciousness; sūryeṇa is understood as ritual/tejas association rather than mere astronomy—Soma shines with solar brilliance.", "ritual_interpretation": "The ‘cry’ aligns with the audible rushing/foaming of Soma and the public proclamation of readiness for offering.", "theological_insight": "Ecstatic power is sanctified when aligned with Mitra (ṛta, harmony); Soma’s brilliance is a sign of proper purification and divine favor.", "etymology_highlights": "vṛṣā (from √vṛṣ ‘to rain/virilize’ → potency); didyute (√dī ‘to shine’)." }