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Shloka 8

Narasiṃha’s Greatness and the Slaying of Hiraṇyakaśipu

Boon, Portents, and Cosmic Restoration

देवैर्ब्रह्मर्षिभिः सार्द्धं सिद्धैः सप्तर्षिभिस्तथा । राजर्षिभिः पुण्यकृद्भिर्गंधर्वाप्सरसांगणैः

devairbrahmarṣibhiḥ sārddhaṃ siddhaiḥ saptarṣibhistathā | rājarṣibhiḥ puṇyakṛdbhirgaṃdharvāpsarasāṃgaṇaiḥ

مع الآلهة، ومع الحكماء البراهمارشيين (Brahmarṣis)؛ ومع السِدّهات (Siddhas) وكذلك مع الحكماء السبعة (Saptarṣi)؛ ومع الملوك الحكماء (rājārṣi)، ومع صانعي البرّ، ومع جموع الغندهرفات (Gandharvas) والأبساراسات (Apsarases).

देवैःwith the gods
देवैः:
Sahakari (सहकारी) / Sahartha (सहार्थ)
TypeNoun
Rootदेव (प्रातिपदिक)
Formपुल्लिङ्ग, तृतीया (3rd), बहुवचन
ब्रह्मर्षिभिःwith the Brahmarṣis
ब्रह्मर्षिभिः:
Sahakari (सहकारी) / Sahartha (सहार्थ)
TypeNoun
Rootब्रह्मन् (प्रातिपदिक) + ऋषि (प्रातिपदिक)
Formतत्पुरुषसमासः (ब्रह्मणः ऋषयः); पुल्लिङ्ग, तृतीया (3rd), बहुवचन
सार्द्धम्together with
सार्द्धम्:
Sambandha (सम्बन्ध) (सहयोग)
TypeIndeclinable
Rootसार्द्धम् (अव्यय)
Formसहार्थक-अव्यय (together with), instrumental-associative usage
सिद्धैःwith the Siddhas
सिद्धैः:
Sahakari (सहकारी) / Sahartha (सहार्थ)
TypeNoun
Rootसिद्ध (प्रातिपदिक)
Formपुल्लिङ्ग, तृतीया (3rd), बहुवचन
सप्तर्षिभिःwith the Seven Sages
सप्तर्षिभिः:
Sahakari (सहकारी) / Sahartha (सहार्थ)
TypeNoun
Rootसप्त (प्रातिपदिक) + ऋषि (प्रातिपदिक)
Formद्विगुसमासः (सप्त ऋषयः); पुल्लिङ्ग, तृतीया (3rd), बहुवचन
तथाlikewise
तथा:
Sambandha (सम्बन्ध) (समुच्चय)
TypeIndeclinable
Rootतथा (अव्यय)
Formअव्यय (adverb), ‘likewise/also’
राजर्षिभिःwith the royal sages
राजर्षिभिः:
Sahakari (सहकारी) / Sahartha (सहार्थ)
TypeNoun
Rootराजन् (प्रातिपदिक) + ऋषि (प्रातिपदिक)
Formतत्पुरुषसमासः (राजानः ऋषयः/राज्ञः ऋषयः); पुल्लिङ्ग, तृतीया (3rd), बहुवचन
पुण्यकृद्भिःwith the doers of merit
पुण्यकृद्भिः:
Sahakari (सहकारी) / Sahartha (सहार्थ)
TypeAdjective
Rootपुण्य (प्रातिपदिक) + कृद् (धातु √कृ, क्विप्/कृदन्त-प्रातिपदिक ‘कृद्’)
Formतत्पुरुषसमासः (पुण्यं करोति इति); पुल्लिङ्ग, तृतीया (3rd), बहुवचन; (राजर्षिभिः इत्यस्य विशेषणम्)
गंधर्वाप्सरसांगणैःwith the groups of Gandharvas and Apsarases
गंधर्वाप्सरसांगणैः:
Sahakari (सहकारी) / Sahartha (सहार्थ)
TypeNoun
Rootगन्धर्व (प्रातिपदिक) + अप्सरस् (प्रातिपदिक) + गण (प्रातिपदिक)
Formतत्पुरुषसमासः (गन्धर्वाणां अप्सरसां च गणाः); पुल्लिङ्ग, तृतीया (3rd), बहुवचन

Unspecified in the provided excerpt (context needed from surrounding verses; commonly a Purāṇic narrator within a dialogue frame).

Concept: Spiritual attainment (siddhi), Vedic insight (brahmarṣi), and righteous kingship (rajarṣi) are honored as pillars of cosmic harmony; merit (puṇya) is socially and cosmically efficacious.

Application: Seek ‘rajarṣi’ integrity in daily roles: combine competence with ethics; cultivate puṇya through charity, truthfulness, and worship; keep uplifting arts (music, poetry) as offerings rather than vanity.

Primary Rasa: adbhuta

Secondary Rasa: shanta

Type: celestial_realm

Visual Art Cues: {"scene_description":"A serene conclave of sages sits on cloud-lotus seats: Brahmarṣis with matted locks and luminous foreheads, Siddhas hovering with subtle halos, and the Seven Sages aligned like a living constellation. Nearby, Rajarṣis in simple royal garments bow with folded hands, while Gandharvas and Apsarases form a gentle ring of music and dance as an offering to the cosmic rite.","primary_figures":["Brahmarṣis","Siddhas","Saptarṣis","Rajarṣis","Gandharvas","Apsarases"],"setting":"Celestial grove-court with wish-fulfilling trees, lotus platforms, and a starry canopy suggesting the sages’ cosmic function.","lighting_mood":"golden dawn","color_palette":["lotus pink","warm gold","sage green","ivory","sky blue"],"tanjore_prompt":"Tanjore painting style: a symmetrical sage-assembly on lotus thrones—Saptarṣis in the center with gold leaf halos, Brahmarṣis and Siddhas flanking, Rajarṣis kneeling in reverence; Gandharvas with veenas and Apsarases in poised dance; rich maroon and emerald drapery, embossed gold ornaments, ornate arch frame and lotus borders.","pahari_prompt":"Pahari miniature style: refined faces and delicate brushwork; sages seated under flowering trees with a pale celestial sky; Gandharvas playing veena softly, Apsarases in restrained graceful movement; cool pastel palette with subtle gold, lyrical naturalism and gentle mountain-like cloud forms.","kerala_mural_prompt":"Kerala mural style: bold outlines, large expressive eyes; sages in rhythmic rows with ochre and green garments, Gandharvas with instruments, Apsarases in stylized dance poses; temple-wall composition with red/yellow/green dominance and decorative floral fillers.","pichwai_prompt":"Pichwai cloth painting style: a lotus-garden mandala filled with seated sages and musical attendants; intricate floral borders, repeating lotus motifs, peacocks at corners; deep blue background with gold highlights, devotional pageantry feel."}

Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Durga","pace":"moderate-narrative","voice_tone":"reverent-soft","sound_elements":["veena drone","soft mridangam","temple bells","choral hum","gentle birdsong"]}

Sandhi Resolution Notes: देवैर्ब्रह्मर्षिभिः = देवैः + ब्रह्मर्षिभिः; सप्तर्षिभिस्तथा = सप्तर्षिभिः + तथा; पुण्यकृद्भिः = पुण्यकृद् + भिः (द् + भ -> द्भ); गंधर्वाप्सरसांगणैः = गन्धर्व + अप्सरसाम् + गणैः (समास/सन्धि-लेखन).

D
Devas
B
Brahmarshis
S
Siddhas
S
Saptarshis
R
Rajarshis
G
Gandharvas
A
Apsarases

FAQs

It depicts a grand gathering that includes gods, multiple classes of sages, perfected beings, and celestial musicians and nymphs—an image of a complete cosmic assembly.

Brahmarṣis are exalted seer-sages associated with Brahman; Siddhas are spiritually perfected beings; Saptarṣis are the traditional Seven Sages who serve as archetypal rishis in Purāṇic cosmology.

The verse implicitly elevates merit (puṇya) as a recognized spiritual quality, placing virtuous action alongside exalted beings in the sacred narrative setting.