Shloka 138
Viśokā Dvādaśī Vow, Guḍa-Dhenū (Jaggery-Cow) Gift, and Śaila-Dāna (Mountain-Charity) Rites
धान्यपर्वतवत्कुर्यादिमं मंत्रमुदीरयेत् । यथा देवेषु विश्वात्मा प्रवरोयं जनार्दनः
dhānyaparvatavatkuryādimaṃ maṃtramudīrayet | yathā deveṣu viśvātmā pravaroyaṃ janārdanaḥ
ليُصنعْ ذلك كأنه جبلٌ من الحبوب، وليُتْلَ هذا المانترا: «كما أنّ جناردانا—الذاتَ الكونية—هو الأسمى بين الآلهة».
Unspecified in the provided excerpt (context needed from surrounding verses).
Concept: Dāna becomes theophany when paired with mantra: Janārdana, the Viśvātmā, is proclaimed foremost among devas—asserting Vaishnava supremacy within a ritual act.
Application: When giving (food, money, time), silently dedicate it to Nārāyaṇa/Janārdana; let the act be ‘mountain-like’ in sincerity even if modest in quantity.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Visual Art Cues: {"scene_description":"A towering ‘mountain’ of golden grain rises beside a sacred altar, shaped like a miniature Meru, while a priest recites a mantra with hands in añjali. Above, Janārdana appears in a radiant vision—sapphire-bodied, four-armed—his presence subtly reflected in every grain like a universe within seeds.","primary_figures":["Janārdana (Viṣṇu)","priest/ṛtvik","donor and family","celestial witnesses (gandharvas/apsarās optional)"],"setting":"open-air ritual ground with grain piled as a symbolic mountain, altar, and bannered pavilion","lighting_mood":"divine radiance","color_palette":["sapphire blue","grain gold","lotus pink","pearl white","verdant green"],"tanjore_prompt":"Tanjore painting style: Janārdana manifested above a Meru-like grain mountain; four arms with śaṅkha-cakra-gadā-padma, gold leaf aura and ornate arch; priest chanting below; rich crimson drapery, emerald accents, gem-studded ornaments, heavy gilding on grain highlights.","pahari_prompt":"Pahari miniature style: poetic composition with a luminous Viṣṇu vision in the sky; grain mountain rendered with fine stippling; soft pastel pavilion and distant trees; delicate facial features and airy clouds.","kerala_mural_prompt":"Kerala mural style: central Viṣṇu with bold outlines and large eyes, hovering above stylized grain mound; ritual figures below in symmetrical arrangement; natural pigment palette with strong reds/yellows/greens and black contouring.","pichwai_prompt":"Pichwai cloth painting style: central Janārdana framed by lotus medallions; grain mountain as a decorative golden mound; intricate floral borders, peacocks at corners, deep indigo background with gold detailing and patterned textiles."}
Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Desh","pace":"slow-meditative","voice_tone":"reverent-soft","sound_elements":["conch shell","temple bells","mantra drone","flower petals falling","gentle wind through banners"]}
Sandhi Resolution Notes: dhānyaparvatavat = dhānya + parvata + vat; kur yādimaṃ = kuryāt + imam; maṃtramudīrayet = mantram + udīrayet; pravaroyaṃ = pravaraḥ + ayam (visarga sandhi).
FAQs
It suggests assembling or offering a very large heap of grain—typically as a charitable gift (dāna) or ritual offering—while reciting the stated mantra.
By calling Janārdana (Viṣṇu) the “foremost among the gods” and identifying him as the “Universal Self” (viśvātmā), it asserts Viṣṇu’s supreme status and cosmic immanence.
It links devotion (mantra-recitation praising the supreme) with generosity (a substantial grain offering), presenting worship and charity as complementary virtues.