Shloka 14
The Greatness of Puruṣottama
Goloka-tattva and Rādhā–Kṛṣṇa Upāsanā
नैव पश्यति तद्रूपं ध्यायति ध्यानगोचरम् । कदाचित्क्रीडतोर्देवि राधामाधवयोर्वपुः ॥ १४ ॥
naiva paśyati tadrūpaṃ dhyāyati dhyānagocaram | kadācitkrīḍatordevi rādhāmādhavayorvapuḥ || 14 ||
إنه لا يرى تلك الهيئة رؤيةً حسّية؛ بل يتأمل ما لا يُنال إلا بالتأمل. أيتها الإلهة، أحيانًا يتفكر في جسد رادها ومادهافا وهما يلهوان معًا في لعبهما الإلهي.
Narada (addressing Devi)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
FAQs
It emphasizes that the Lord’s divine form is primarily realized through inner contemplation (dhyāna) rather than ordinary sensory sight, highlighting bhakti as an inward, vision-giving discipline.
Bhakti here is expressed as loving meditation on the līlā-form of Rādhā–Mādhava; the devotee’s relationship deepens by repeatedly bringing the divine couple into the heart’s awareness.
No specific Vedāṅga (like Vyākaraṇa or Jyotiṣa) is taught in this line; the practical takeaway is dhyāna-upāsanā—disciplined visualization and mental worship as a sādhana within Purāṇic bhakti.