The Greatness of Puruṣottama
Aṣṭākṣarī Maṇḍala-Pūjā and Nyāsa
प्रद्युम्नो हृदये पीतोऽनिरुद्धो मेहने स्थितः । सर्वांगे सर्वशक्तिश्च चतुर्व्यूहार्चितो हरिः ॥ १६ ॥
pradyumno hṛdaye pīto'niruddho mehane sthitaḥ | sarvāṃge sarvaśaktiśca caturvyūhārcito hariḥ || 16 ||
براديومنّا ذو البهاء الذهبي يُتأمَّل في القلب؛ وأنيرودها قائمٌ في عضو التناسل. وهريّ يُعبَد بوصفه «الچاتورڤيوها»، إذ إن شاكتيه الكلّية القدرة تسري في الجسد كلّه.
Narada (teaching the Sanatkumara brothers)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It teaches inner worship (antar-yāga) by placing forms of Hari’s Caturvyūha within the body, turning the practitioner’s own limbs into a sacred field of meditation and surrender.
Bhakti here is practiced as constant remembrance: the devotee visualizes Pradyumna in the heart and Aniruddha in the generative center, recognizing Hari’s all-pervading śakti throughout the body as an object of worship.
The verse aligns most with ritual application (kalpa in practice) through nyāsa-like placement and mantra-based visualization, a disciplined method used in Vaiṣṇava worship traditions.