Pūjādi-kathana — Gaṅgā Vratas, Tenfold Worship, Stotra, and Mokṣa on the Riverbank
उग्रायै मुखजल्पायै संजीविन्यै नमोनमः । ब्रह्मगायै ब्रह्मदायै दुरितघ्न्यै नमोनमः ॥ ८० ॥
ugrāyai mukhajalpāyai saṃjīvinyai namonamaḥ | brahmagāyai brahmadāyai duritaghnyai namonamaḥ || 80 ||
سلامٌ وسجودٌ مرارًا وتكرارًا لتلك الشديدة، التي يفيض من فمها القولُ المقدّس، والتي تُحيي الحياة من جديد. سلامٌ وسجودٌ مرارًا وتكرارًا لتلك التي تُنشد البراهمن، وتمنح معرفة البراهمن، وتُبيد الإثم والشدائد.
Narada (as part of a hymnic praise within the Uttara-Bhaga narrative framework)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It venerates the Goddess as Mantra-Śakti and sacred speech—both the reviver of spiritual vitality and the remover of durita (sin/misfortune), emphasizing that divine utterance and devotion lead to purification and higher knowledge.
By offering repeated salutations and praising divine qualities, it models stotra-bhakti: remembrance and verbal worship that purifies the mind, strengthens faith, and aligns the devotee with the grace that grants brahma-jñāna.
It highlights mantra-prayoga centered on correct sacred utterance (linked to Śikṣā—phonetics and proper recitation) and the power of Vedic-style chanting/recitation implied by “brahma-gā” (reciting Brahman).