Pūjādi-kathana — Gaṅgā Vratas, Tenfold Worship, Stotra, and Mokṣa on the Riverbank
नमस्ते शुक्लसंस्थायै क्षेमवत्यै नमोनमः । त्रिदशासनसंस्थायै तेजोवत्यै नमोऽस्तु ते ॥ ७५ ॥
namaste śuklasaṃsthāyai kṣemavatyai namonamaḥ | tridaśāsanasaṃsthāyai tejovatyai namo'stu te || 75 ||
سلامٌ وسجودٌ لكِ، يا من استقرّت في الطهارة (śukla)؛ سلامٌ وسجودٌ مرارًا لكِ، يا واهبة kṣema—الخيرَ والأمان. سلامٌ وسجودٌ لكِ، يا جالسةً على عرش الآلهة؛ سلامٌ وسجودٌ لكِ، يا متلألئةً بـ tejas، البهاء الإلهي.
Narada (within a stotra-style praise in the Uttara-Bhaga tirtha-mahatmya narration)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It functions as a stuti (praise) that invokes purity (śukla), protection and well-being (kṣema), divine authority (the devas’ seat), and inner radiance (tejas)—qualities sought by pilgrims and devotees in tirtha-oriented practice.
Bhakti is expressed through repeated salutations (namo namaḥ) and reverent naming of divine attributes; the devotee approaches the sacred through praise, surrender, and remembrance of the deity’s protective and illuminating power.
The verse chiefly reflects stotra-prayoga (devotional recitation) and mantra-style epithets; it does not directly teach a Vedanga science, but it models disciplined liturgical usage—clear vocatives and attribute-compounds typical of Sanskrit hymn composition.