Saṃdhyāvalī-ākhyāna
Mohinī-parīkṣā; Dvādaśī-vrata-mahattva
निर्गुणाय निरीहाय नीतिज्ञायाक्रियात्मने । बुद्धाय कल्किरूपाय क्षेत्रज्ञायाक्षराय च ॥ ३६ ॥
nirguṇāya nirīhāya nītijñāyākriyātmane | buddhāya kalkirūpāya kṣetrajñāyākṣarāya ca || 36 ||
السجودُ لمن هو فوقَ الصفات، منزَّهٌ عن الرغبةِ والسعي؛ وللعالِمِ بنظامِ الحقّ، الذي ذاتُه بلا فعل. السجودُ لمن يتجلّى في صورةِ بوذا وفي صورةِ كَلْكِي؛ ولعارفِ الحقل (الشاهدِ الباطن) وللأكشَرا، غيرِ الفاني.
Narada (in a devotional hymn/stuti context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It presents Vishnu as both transcendent (nirguṇa, akṣara, akriyātman) and immanent (kṣetrajña), while also affirming His avatāra-activity (Buddha, Kalki), guiding the devotee to see one Supreme reality behind all forms.
Bhakti here is practiced through nāma-smaraṇa and stuti—remembering divine attributes and avatāras—so the mind rests on the Imperishable Lord who is beyond qualities yet compassionately appears in history for dharma.
The verse primarily conveys Vedānta-linked terminology (kṣetra/kṣetrajña, akṣara, nirguṇa) rather than a specific Vedāṅga technique; its practical takeaway is disciplined contemplation and precise use of doctrinal terms in recitation and teaching.