Saṃdhyāvalī-ākhyāna
Mohinī-parīkṣā; Dvādaśī-vrata-mahattva
द्वारकावासिने चैव तुलसी वनवासिने । नमः कमलनाभाय नमस्ते पंकजांघ्रये ॥ ३२ ॥
dvārakāvāsine caiva tulasī vanavāsine | namaḥ kamalanābhāya namaste paṃkajāṃghraye || 32 ||
السجودُ والتسليمُ للربِّ المقيمِ في دْوَارَكَا، وكذلك للساكنِ في غابةِ التولَسِي. سلامٌ للذي سُرَّتُهُ كَاللُّوتُس، وسلامٌ لكَ يا من قدماهُ كَاللُّوتُس.
Narada (praise/namaskara within a Vaishnava mahatmya context)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It is a direct namaskāra to Viṣṇu linking sacred geography (Dvārakā) with sacred devotion (Tulasī), teaching that the Lord is approached both through tīrtha-reverence and through pure bhakti expressed in worship.
Bhakti is shown through simple, heartfelt salutations using Viṣṇu’s epithets (Kamalanābha, lotus-feet) and by honoring Tulasī—an emblem of loving service—indicating that remembrance, praise, and offering are central practices.
Ritual application (Kalpa) is implied: Vaiṣṇava pūjā commonly includes Tulasī offerings and mantra-like salutations (namas), showing a practical rule-of-worship rather than technical grammar or astrology.