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Shloka 5

बदरपाचन-तीर्थमाहात्म्यम् | Badarapācana Tīrtha Māhātmya

Indratīrtha and the Austerities of Srucāvatī & Arundhatī

वैशम्पायन उवाच शृणु राजन्निदं चित्र पूर्वकल्पे यथातथम्‌ । आदी कृतयुगे राजन्‌ वर्तमाने यथाविधि

Vaiśampāyana uvāca: śṛṇu rājann idaṃ citraṃ pūrvakalpe yathātatham | ādau kṛtayuge rājan vartamāne yathāvidhi ||

قال فايشَمبايانا: «اسمعْ يا أيها الملك هذا الخبر العجيب، كما وقع على حقيقته في عصرٍ سالف. في البدء، في كِرْتَا يُوغا، أيها الملك، حين كانت الأمور تجري على وفق السنّة المقرّرة…»

वैशम्पायनःVaishampayana
वैशम्पायनः:
Karta
TypeNoun
Rootवैशम्पायन
FormMasculine, Nominative, Singular
उवाचsaid
उवाच:
TypeVerb
Rootवच्
FormPerfect, Third, Singular
शृणुlisten
शृणु:
TypeVerb
Rootश्रु
FormImperative, Second, Singular
राजन्O king
राजन्:
TypeNoun
Rootराजन्
FormMasculine, Vocative, Singular
इदम्this
इदम्:
Karma
TypePronoun
Rootइदम्
FormNeuter, Accusative, Singular
चित्रम्wonderful/strange
चित्रम्:
Karma
TypeAdjective
Rootचित्र
FormNeuter, Accusative, Singular
पूर्वकल्पेin a former kalpa (previous aeon)
पूर्वकल्पे:
Adhikarana
TypeNoun
Rootपूर्वकल्प
FormMasculine, Locative, Singular
यथाas/how
यथा:
TypeIndeclinable
Rootयथा
तथम्so/just so
तथम्:
TypeIndeclinable
Rootतथम्
आदीat first/in the beginning
आदी:
TypeIndeclinable
Rootआदि
कृतयुगेin the Krita Yuga
कृतयुगे:
Adhikarana
TypeNoun
Rootकृतयुग
FormNeuter, Locative, Singular
राजन्O king
राजन्:
TypeNoun
Rootराजन्
FormMasculine, Vocative, Singular
वर्तमानेwhile (it was) prevailing/being present
वर्तमाने:
Adhikarana
TypeAdjective
Rootवृत्
FormNeuter, Locative, Singular, Shatru (present active participle)
यथाas/according to
यथा:
TypeIndeclinable
Rootयथा
विधिrule/ordinance
विधि:
TypeNoun
Rootविधि
FormMasculine, Accusative, Singular

वैशम्पायन उवाच

V
Vaiśampāyana
R
rājan (the king addressed)

Educational Q&A

The verse foregrounds fidelity to tradition and truth in narration—an ethical commitment to report events “as they really happened,” and it invokes the Kṛta Yuga as a paradigm of dharma functioning according to prescribed order (vidhi).

Vaiśampāyana addresses the king and introduces a remarkable account from a former age, setting a temporal frame (“in the beginning, in the Kṛta Yuga”) before proceeding to the story that follows.