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Shloka 23

दुर्योधनश्व भीमेन समेत्य गदया रणे । पश्यतां भूमिपालानामधर्मेण निपातित:,भीमसेनने भी सम्पूर्ण राजाओंके देखते-देखते रणभूमिमें गदायुद्ध करते समय दुर्योधनको अधर्मपूर्वक गिराया था

duryodhanaś ca bhīmena sametya gadayā raṇe | paśyatāṃ bhūmipālānām adharmeṇa nipātitaḥ ||

قال كṛپا: «إن دوريوذانا، وقد التقى ببهِيما في قتال الصولجان في ساحة الحرب، قد أُسقط على غير وجه حقّ—على مرأى من الملوك المجتمعين.»

दुर्योधनःDuryodhana
दुर्योधनः:
Karma
TypeNoun
Rootदुर्योधन
FormMasculine, Nominative, Singular
and
:
TypeIndeclinable
Root
भीमेनby Bhima
भीमेन:
Karta
TypeNoun
Rootभीम
FormMasculine, Instrumental, Singular
समेत्यhaving come together / having met
समेत्य:
TypeVerb
Rootसम्-इ
Formक्त्वा (absolutive/gerund), Parasmaipada (usage-neutral for gerund)
गदयाwith a mace
गदया:
Karana
TypeNoun
Rootगदा
FormFeminine, Instrumental, Singular
रणेin battle
रणे:
Adhikarana
TypeNoun
Rootरण
FormMasculine, Locative, Singular
पश्यताम्while (they) were watching / of the onlookers
पश्यताम्:
TypeVerb
Rootपश्
Formशतृ (present active participle), Masculine/Neuter (contextual), Genitive, Plural
भूमिपालानाम्of the kings (protectors of the earth)
भूमिपालानाम्:
TypeNoun
Rootभूमिपाल
FormMasculine, Genitive, Plural
अधर्मेणunrighteously / by adharma
अधर्मेण:
Karana
TypeNoun
Rootअधर्म
FormMasculine, Instrumental, Singular
निपातितःwas felled / was struck down
निपातितः:
TypeVerb
Rootनि-√पत्
Formक्त (past passive participle), Masculine, Nominative, Singular

कृप उवाच

K
Kṛpa
D
Duryodhana
B
Bhīma (Bhīmasena)
M
mace (gadā)
K
kings/rulers (bhūmipāla)

Educational Q&A

The verse frames Duryodhana’s fall as a moral issue: victory in war is not automatically righteous if achieved through adharma. By stressing that many kings witnessed it, the text highlights how public standards of kṣatriya-dharma and the rules of combat shape ethical judgment.

Kṛpa recalls the climactic mace-duel where Bhīma and Duryodhana fought before assembled rulers. He asserts that Duryodhana was brought down ‘by adharma,’ a charge that fuels the bitterness and retaliatory resolve that characterizes the Sauptika Parva’s night-time violence.