कर्णेन युधिष्ठिरानीकविदारणम् / Karṇa’s Breach of Yudhiṣṭhira’s Battle-Line
दिशश्न प्रदिशश्वैव परिवारो रथस्य तु । मन्दराचल उस रथका धुरा था, महानदी गंगा जंघा (धुरेका आश्रय) बनी थीं, दिशाएँ और विदिशाएँ उस रथका आवरण थीं
diśaś ca pradiśaś caiva parivāro rathasya tu | mandarācalaḥ asya rathasya dhurā āsīt, mahānadī gaṅgā jaṅghā (dhureka-āśrayaḥ) babhūva; diśaḥ ca vidiśaḥ asya rathasya āvaraṇāni āsan |
ومضى دوريودhana في وصف تلك العربة الكونية: «كانت الجهات والجهاتُ الوسيطة إطارَها المُحيط وكساءَها. وكان جبلُ ماندارا عمودَ نيرها، وصارت الغانغا—النهر العظيم—‘فخذَها’، أي الدعامة التي تحمل النير.»
दुर्योधन उवाच
The verse illustrates how rhetorical grandeur can be used to legitimize violence: by casting a war-chariot in cosmic terms, the speaker implies that his cause is as vast and ordered as the universe. Ethically, it warns that power and poetic imagery do not equal dharma; moral clarity must not be replaced by self-glorifying symbolism.
Duryodhana is describing an immense, almost universe-sized chariot using mythic and geographic elements—directions as its enclosure, Mount Mandara as its yoke, and the river Gaṅgā as a supporting limb—continuing a stylized depiction meant to inspire awe and confidence in the midst of the Karṇa Parva battle context.