Shloka 114

Bhīṣma–Karṇa Saṃvāda on the Śaraśayyā (भीष्म–कर्ण संवादः शरशय्यायाम्)

Devanagari script

इति श्रीमहाभारते भीष्मपर्वणि भीष्मवधपर्वणि भीमार्जुनपराक्रमे चतुर्दशाधिकशततमो<ध्याय:

Transliteration

iti śrīmahābhārate bhīṣmaparvaṇi bhīṣmavadhaparvaṇi bhīmārjunaparākrame caturdaśādhikaśatatamo 'dhyāyaḥ

Translation

وهكذا ينتهي، في «المهابهارتا» المباركة، ضمن «بهِيشْما بَرْفَا»—وخاصة في القسم المتعلق بسقوط بهيشما—الفصل الرابع عشر بعد المئة (114)، الواصف لبسالة بهيما وأرجونا. (خاتمة سَنجايا.)

Word by Word

• इति: thus; end-quote marker
• Type: Indeclinable
• Root: इति

• श्रीमहाभारते: in the revered Mahabharata
• श्रीमहाभारते: Adhikarana
• Type: Noun
• Root: श्रीमहाभारत
• Form: Neuter, Locative, Singular

• भीष्मपर्वणि: in the Bhishma Parva
• भीष्मपर्वणि: Adhikarana
• Type: Noun
• Root: भीष्मपर्वन्
• Form: Neuter, Locative, Singular

• भीष्मवधपर्वणि: in the section (parvan) on Bhishma's slaying
• भीष्मवधपर्वणि: Adhikarana
• Type: Noun
• Root: भीष्मवधपर्वन्
• Form: Neuter, Locative, Singular

• भीमार्जुनपराक्रमे: in (the account of) the prowess of Bhima and Arjuna
• भीमार्जुनपराक्रमे: Adhikarana
• Type: Noun
• Root: भीमार्जुनपराक्रम
• Form: Masculine, Locative, Singular

• चतुर्दशाधिकशततमः: one hundred and fourteenth
• Type: Adjective
• Root: चतुर्दशाधिकशततम
• Form: Masculine, Nominative, Singular

• अध्यायः: chapter
• Type: Noun
• Root: अध्याय
• Form: Masculine, Nominative, Singular

Speaker

संजय उवाच

Characters & Entities

• Sañjaya
• Mahābhārata
• Bhīṣma Parva
• Bhīṣma
• Bhīma
• Arjuna

Educational Q&A

What is the core teaching?

This verse is a colophon marking the close of a chapter and situating it within the epic’s structure. Ethically, it underscores how the Mahābhārata frames war-narrative through named themes—here, Bhīṣma’s fall and the valor of Bhīma and Arjuna—inviting the reader to reflect on heroism and duty (kṣātra-dharma) within the larger moral arc of the war.

What is happening in the narrative?

Sañjaya concludes the chapter by formally stating its placement: in the Mahābhārata, within the Bhīṣma Parva, in the episode concerning Bhīṣma’s slaying, and focused on the prowess of Bhīma and Arjuna. It functions as an editorial/narrative closure rather than a new event.