Shloka 39
स कृष्णं मलदिग्धाड़ंं कृष्णाजिनजटाधरम् | नैषादिं श्वा समालक्ष्य भषंस्तस्थौ तदन्तिके,एकलव्यके शरीरका रंग काला था। उसके अंगोंमें मैल जम गया था और उसने काला मृगचर्म एवं जटा धारण कर रखी थी। निषादपुत्रको इस रूपमें देखकर वह कुत्ता भौं-भौं करके भूकता हुआ उसके पास खड़ा हो गया
sa kṛṣṇaṃ maladigdhāṅgaṃ kṛṣṇājinajaṭādharam | naiṣādiṃ śvā samālakṣya bhaśaṃstasthau tadantike ||
قال فايشامبايانا: لما رأى الكلبُ فتى النِّشادا—داكنَ اللون، وقد لطّخت الأوساخ أطرافه، يلبس جلد ظبيٍ أسود وتعلو رأسه خُصلٌ معقودة (جَطا)—نبّه إليه ونبح بصوتٍ عالٍ ووقف قريبًا منه.
वैशम्पायन उवाच
Educational Q&A
The verse highlights tapas-like discipline and simplicity: Ekalavya’s ascetic appearance signals committed self-training. It also hints at the ethical tension between inner merit (effort, restraint) and outer social labeling (being identified as a Niṣāda), a recurring Mahābhārata concern in discussions of dharma and recognition.
Vaiśampāyana describes a Niṣāda youth (understood in context as Ekalavya) in an austere forest guise—dark, dirt-smeared, wearing antelope-skin and matted hair. A dog sees him, barks, and stands near him, setting up the ensuing episode involving the dog and the discovery of the youth’s extraordinary skill.