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Shloka 13

मुनिमोहशमनम्

Pāśupata-yoga, Siddhis, Puruṣa-darśana, Saṃsāra, and Prāṇa-Rudra Pañcāhutī

इन्द्रियाणि मनश्चित्तबुद्ध्यहङ्कारसंज्ञितम् तथा सर्वमयं चैव आत्मस्था ख्यातिरेव च

indriyāṇi manaścittabuddhyahaṅkārasaṃjñitam tathā sarvamayaṃ caiva ātmasthā khyātireva ca

قوى الحواسّ، مع العقل (manas) و«چِتّا» (citta) والعقل المميِّز (buddhi) والأنا (ahaṅkāra)—بهذه الأسماء—كلّها مشبَعة بالوعي. وإنّ الإدراك الجليّ (khyāti) القائم في الذات هو حقًّا أساسها جميعًا. وهكذا يختبر الـ(paśu) المقيَّد هذه الأدوات كحُجُبٍ من رباط (pāśa)، بينما يبقى السيّد (Pati) شيفا (Śiva) الشاهدَ الباطن.

इन्द्रियाणिsense-faculties
इन्द्रियाणि:
मनःmind (manas)
मनः:
चित्तmemory-mind/mental field (citta)
चित्त:
बुद्धिintellect/discriminative faculty
बुद्धि:
अहङ्कारego-sense/I-maker
अहङ्कार:
संज्ञितम्termed/so called
संज्ञितम्:
तथाand also
तथा:
सर्वमयम्pervaded by all/constituted of all (as a composite of functions)
सर्वमयम्:
च एवand indeed
च एव:
आत्मस्थाabiding in the Self
आत्मस्था:
ख्यातिःawareness/manifest cognition
ख्यातिः:
एवalone/indeed
एव:
and
:

Suta Goswami (narrating the Linga Purana teaching to the sages of Naimisharanya)

S
Shiva

FAQs

It redirects worship from mere outer ritual to inner realization: the same Śiva honored in the Liṅga is the Witness-consciousness within, by which the senses and inner instruments function.

Śiva-tattva is implied as the ātma-sthā khyāti—the Self-abiding awareness that illuminates mind, intellect, and ego without being limited by them, standing as Pati over the paśu’s instruments.

A Pāśupata-oriented yogic takeaway is indriya-nigraha and antaḥkaraṇa-śuddhi: disciplining senses and refining mind–intellect–ego so awareness rests in the Self while performing Śiva-pūjā.