Adhyaya 73 — त्रिपुरदाहे ब्रह्मस्तवः
Brahmā’s Hymn in the Context of Tripura’s Burning
इत्युक्त्वा पूर्वमभ्यर्च्य रुद्रं त्रिभुवनेश्वरम् तुष्टाव वाग्भिर् इष्टाभिर् देवदेवं त्रियंबकम्
ityuktvā pūrvamabhyarcya rudraṃ tribhuvaneśvaram tuṣṭāva vāgbhir iṣṭābhir devadevaṃ triyaṃbakam
وبعد أن قال ذلك، عبد أولًا رودرا (Rudra)، ربَّ العوالم الثلاثة؛ ثم أثنى بكلماتٍ محبوبةٍ لائقة على تريامباكا (Triyambaka)، إلهِ الآلهة، الذي هو وحده الـPati، مُحرِّرُ الـpaśu من قيود الـpāśa.
Suta Goswami (narrating the episode to the sages of Naimisharanya)
It establishes the correct sequence: first perform reverential worship (abhyarcana) of Rudra, and then offer stuti—showing that praise is most fruitful when grounded in ritual devotion to the Linga-centered Lord.
Shiva is invoked as Tribhuvaneśvara and Triyambaka, indicating sovereign lordship and transcendent awareness; in Shaiva Siddhanta terms, he is Pati, the supreme controller who can remove pāśa and grant liberation to the paśu.
The practice highlighted is pūrvābhyarcana—preliminary worship before recitation of hymns—aligning with Shaiva pūjā-vidhi and supporting the disciplined devotional approach foundational to Pāśupata-oriented sādhanā.