Adhyaya 63: Daksha’s Progeny, Kashyapa’s Offspring, and the Rishi-Vamshas that Sustain the Worlds
हरश् च बहुरूपश् च त्र्यंबकश् च सुरेश्वरः सावित्रश् च जयन्तश् च पिनाकी चापराजितः
haraś ca bahurūpaś ca tryaṃbakaś ca sureśvaraḥ sāvitraś ca jayantaś ca pinākī cāparājitaḥ
هو هارا (Hara)، مُزيل القيود؛ وباهوروبا (Bahurūpa)، ذو الأشكال التي لا تُحصى؛ وتريَمبَكا (Tryambaka)، الرب ذو العيون الثلاث؛ وسوريشڤارا (Sureśvara)، سيّد الآلهة. وهو ساڤيترا (Sāvitra)، القوة الباطنة لساڤيتري (Sāvitrī/غايَتري) وللشعيرة الفيدية؛ وجايَنتا (Jayanta)، الدائم الظفر؛ وبيناكي (Pinākī)، حامل قوس بيناكا؛ وأباراجيتا (Aparājita)، الباتي الذي لا يُقهَر، ولا يغلبه أيّ پاشا (قيد).
Suta Goswami (reciting the Shiva Sahasranama to the sages of Naimisharanya)
It functions as a set of potent nāmas for japa during liṅga-pūjā, praising Shiva as Pati—Hara who removes pasha and Aparājita who cannot be overcome—thereby orienting worship toward liberation of the pashu (soul).
Shiva is presented as both transcendent and immanent: Bahurūpa (all forms) yet sovereign (Sureśvara), the all-seeing Tryambaka whose jñāna burns ignorance, and the invincible Aparājita who alone can sever bondage.
Nāma-japa (recitation of Shiva’s names) integrated with Vedic sanctity (Sāvitra/Gāyatrī resonance) is implied—supporting Pāśupata-oriented sādhana where mantra and worship purify the pashu and loosen pasha.