मदनदाहः — पार्वतीतपः, स्वयंवरलीला, देवस्तम्भनं, दिव्यचक्षुर्दानम्
वज्रं क्षेप्तुं न शशाक बाहुं चालयितुं तथा वह्निः शक्तिं तथा क्षेप्तुं न शशाक तथा स्थितः
vajraṃ kṣeptuṃ na śaśāka bāhuṃ cālayituṃ tathā vahniḥ śaktiṃ tathā kṣeptuṃ na śaśāka tathā sthitaḥ
لم يستطع إندرا أن يقذف الفَجْرَة (vajra)، ولا أن يحرّك ذراعه كذلك؛ وكذلك أغني، وهو على حاله، لم يستطع أن يلقي شاكتيه (śakti) الشبيهة بالرمح. وأمام الباتي الأعلى غدت أدوات الآلهة بلا أثر.
Suta Goswami (narrating the Purana to the sages; describing the scene involving the Devas)
It establishes that all deva-powers and ritual instruments become effective only through Pati (Shiva). Linga worship centers on surrender to the Supreme source from whom all śaktis arise.
Shiva-tattva is portrayed as unassailable and prior to all secondary powers: even Indra’s vajra and Agni’s śakti cannot function before Him, indicating Shiva as the transcendent Pati beyond deva-agency.
The takeaway aligns with Pāśupata orientation: cultivate dependence on Pati rather than on external force—restraint of egoic “doership” and seeking Shiva’s anugraha (grace) as the true power behind mantra, weapon, and rite.