Shloka 66

Jñāna-hetu-nirūpaṇa

On the Causes/Means of Knowledge

पञ्चधातुमये कृष्णे हरिरूपविचिन्तनम् / स्वयं व्यक्तस्थले चापि चिदा नन्दत्वकल्पनम्

pañcadhātumaye kṛṣṇe harirūpavicintanam / svayaṃ vyaktasthale cāpi cidā nandatvakalpanam

تأمّلْ صورةَ هَري في كريشنا—ذلك الجسد المؤلَّف من العناصر الخمسة—؛ وحتى في الموضع الذي يتجلّى فيه بذاته، فلتتأمّلْ طبيعته بوصفها وعيًا خالصًا (چِت) ونعيمًا (آنَندا).

pañcadhātumayein the five-metal (image)
pañcadhātumaye:
Adhikaraṇa (अधिकरण)
TypeAdjective
Rootpañca + dhātu + maya (प्रातिपदिक)
FormMasculine, Locative (7th/सप्तमी), Singular; adjective qualifying kṛṣṇe; ‘made of five metals’ (पञ्चधातुमयः)
kṛṣṇein Kṛṣṇa (the idol/representation)
kṛṣṇe:
Adhikaraṇa (अधिकरण)
TypeNoun
Rootkṛṣṇa (प्रातिपदिक)
FormMasculine, Locative (7th/सप्तमी), Singular
hari-rūpa-vicintanamcontemplation of Hari’s form
hari-rūpa-vicintanam:
Karta (कर्ता)
TypeNoun
Roothari + rūpa + vicintana (प्रातिपदिक)
FormNeuter, Nominative (1st/प्रथमा), Singular; action-noun ‘contemplation’
svayamby oneself / directly
svayam:
Viśeṣaṇa (विशेषण/क्रियाविशेषण)
TypeIndeclinable
Rootsvayam (अव्यय)
FormIndeclinable; adverb (क्रियाविशेषण)
vyakta-sthalein a manifest place
vyakta-sthale:
Adhikaraṇa (अधिकरण)
TypeNoun
Rootvyakta + sthala (प्रातिपदिक)
FormNeuter, Locative (7th/सप्तमी), Singular; ‘manifest place’
caand
ca:
Sambandha (सम्बन्ध/connector)
TypeIndeclinable
Rootca (अव्यय)
FormIndeclinable; conjunction (समुच्चय)
apialso/even
api:
Sambandha (सम्बन्ध/particle)
TypeIndeclinable
Rootapi (अव्यय)
FormIndeclinable; particle (निपात) expressing inclusion ‘also/even’
cidāby consciousness
cidā:
Karaṇa (करण)
TypeNoun
Rootcid (प्रातिपदिक)
FormFeminine, Instrumental (3rd/तृतीया), Singular; ‘by consciousness/awareness’
nandatva-kalpanamattribution of blissfulness
nandatva-kalpanam:
Karta (कर्ता)
TypeNoun
Rootnandatva + kalpana (प्रातिपदिक)
FormNeuter, Nominative (1st/प्रथमा), Singular; ‘imagining/attributing’

Lord Vishnu (teaching Garuda/Vinata-putra)

Concept: Hold two complementary contemplations: (1) Hari within Kṛṣṇa’s pañcadhātu (elemental) embodiment; (2) the same Hari as cidānanda—pure consciousness and bliss—transcending material composition.

Vedantic Theme: Saguna-to-nirguna contemplation; Brahman as sat-cit-ānanda; body as bhūta-made upādhi while the indwelling reality is consciousness.

Application: In deity worship, begin with form-meditation (rūpa-dhyāna) and culminate in formless awareness (cidānanda-bhāvanā); use temple/tīrtha visits to deepen inner absorption rather than remain at external darśana.

Primary Rasa: adbhuta

Secondary Rasa: shanta

Type: tīrtha/manifestation-site

Related Themes: Garuda Purana 3.12.63 (inner reality in avatāras); Garuda Purana 3.12.64 (antaryāmin contemplation)

H
Hari
K
Krishna

FAQs

This verse frames liberation-oriented practice as sustained contemplation (vicintana/bhāvanā) of Hari—seeing Kṛṣṇa as the divine form and fixing the mind on that reality.

By emphasizing inner contemplation of the Lord as consciousness-bliss (cit-ānanda), it points to a mind-training that loosens identification with the five-element body and supports movement toward moksha.

Practice daily japa or dhyāna with a clear Viṣṇu/Kṛṣṇa form (rūpa) and conclude by resting attention in the idea of the Lord as pure awareness and bliss (cidānanda).