Śivapūjā-vidhi: Purifications, Sūrya–Graha Mantras, Nyāsa, and Bhūtaśuddhi leading to Śivoham-bhāva
ॐ हौं कलविकरिण्यै बलविकरिणी ततः / बलप्रमथिनी सर्वभूतानां दमनी ततः
oṃ hauṃ kalavikariṇyai balavikariṇī tataḥ / balapramathinī sarvabhūtānāṃ damanī tataḥ
«أوم hauṃ!»—إلى كالافيكريني (Kalavikariṇī)؛ ثم إلى بالافيكريني (Balavikariṇī)؛ ثم إلى بالابرَمَثِني (Balapramathinī)؛ ثم إلى دامَني (Damanī)، مُخضِعةِ جميع الكائنات.
Lord Viṣṇu (in instruction to Garuḍa/Vinatā-putra, within a mantra/nyāsa-style passage)
Concept: Mantra-japa as direct engagement with divine energies; progressive invocation suggests staged purification and mastery over inner/outer disturbances.
Vedantic Theme: Śabda as upāya: disciplined mantra aligns vāk and manas, reducing vṛtti-turbulence and enabling steadiness toward the witnessing Self.
Application: Chant with clear segmentation: invoke each śakti-name with a pause, noticing the psychological shift from agitation to restraint; use as a protective prelude before meditation.
Primary Rasa: adbhuta
Secondary Rasa: raudra
Type: mantra-āvaraṇa within ritual space
Related Themes: Garuda Purana 1.23.16–20 (mantra and placement sequence)
This verse strings together śakti-names as an invocation sequence, emphasizing protective, subduing power—symbolically ‘taming’ disruptive forces and strengthening ritual efficacy.
Indirectly: rather than describing the soul’s route, it presents a protective mantra framework often used to remove obstacles and assert spiritual control—supporting the broader purāṇic aim of safeguarding dharma and right rites.
Use the verse as a reminder that discipline and self-mastery (damanī—‘the subduer’) are central to spiritual practice; if reciting mantras, do so with clarity, restraint, and ethical intent.